Bookish thoughts on Three Things About Elsie by Joanna Cannon

Three Things About Elsie is filled with some lovely touches of humour, poignancy, and perceptive observations on life.

As well as this, it invites the reader into a mystery regarding a man from our main character Florence's past.

Florence is in her eighties and living in managed accommodation for the elderly. Elsie is her best friend - this is the first of the three things about her. As the book commences, Florence has fallen in her flat, and she is thinking about recent events in her life, telling us about Elsie, and about another friend in the flats, Jack, and also about a new arrival, a man who brings back past memories for Florence and causes her to embark on solving a mystery buried in her past, if she can just reach within her mind and find the answers. 

Joanna Cannon writes with warmth and in a compassionate, honest way in dealing with dementia and ageing, as well as portraying the bonds of friendship and companionship. 

There are many beautiful observations and expressions once again in Joanna Cannon's writing, as I found there were in the author’s debut novel, The Trouble with Goats and Sheep, but this time, for me, there is a stronger and more compelling story to go with it.

I enjoyed the stories woven in about the side characters of Miss Ambrose and Handy Simon, both with their issues of self-doubt and self-discovery, though I felt I would have liked to know a little more about Jack, for him to have felt just a little more fleshed out as a character. 

The book cover is a lovely appealing design of Battenberg cake which was very tempting every time I looked at the pattern, and the jigsaw pieces emblematic of Florence trying to piece together the past and find that missing piece in her present.

As I said, there were some lovely expressions and thoughts on life, many sentences and passages I marked as I read and which caused me to pause and think, some of which I've shared below.

__________

Some of my favourite pieces of writing from the book:

'She always wore cheerful clothes, it was just a shame her face never went along with it.'

'A small existence, disappeared. There was nothing left to say she'd even been there. Everything was exactly as it had been before. As if someone had put a bookmark in her life and slammed it shut.'

'We'd only been there ten minutes and my mind started to wander. It can't help itself. It very often goes for a walk without me, and before I've realised what's going on, it's miles away.'

'Elsie's father left for the war and returned as a telegram on the mantelpiece.'

'But sometimes life takes you along a path you only intended to glance down on your way to somewhere else, and when you look back, you realise the past wasn't the straight line you thought it might be. If you're lucky, you eventually move forward, but most of us cross from side to side, tripping up over our second thoughts as we walk through life.'

'It's strange, because you can put up with all manner of nonsense in your life, all sorts of sadness, and you manage to keep everything on board and march through it, then someone is kind to you and it's the kindness that makes you cry. It's the tiny act of goodness that opens a door somewhere and lets all the misery escape.'

'It didn't take them long to undo my life. I had spent eighty years building it, but within weeks, they made it small enough to fit into a manila envelope and take along to meetings.'

'...perhaps it's only in the silence that you're able to hear just how loud your own worrying is.'

'Nothing he had a go at seemed to fit. Life sometimes felt like trying on the entire contents of a shoe shop, but all of them pinched your toes.'

My Heart and Other Black Holes - Jasmine Warga

Synopsis

Aysel and Roman are practically strangers, but they've been drawn into an unthinkable partnership. In a month's time, they plan to commit suicide - together.

Aysel knows why she wants to die: being the daughter of a murderer doesn't equal normal, well-adjusted teenager. But she can't figure out why handsome, popular Roman wants to end it all....and why he's even more determined than she is.

With the deadline getting closer, something starts to grow between Aysel and Roman - a feeling she never thought she would experience. It seems there might be something to live for, after all - but is Aysel in so deep she can't turn back? 

~~~~~

'Maybe we all have darkness inside of us and some of us are better at dealing with it than others.'

I was keen to read My Heart and Other Black Holes when I found out about it, as the storyline and themes really interest me personally. I read it quickly and found the story gripping and compelling, and I felt compassion for Aysel and Roman, two young people, total strangers, who plan to take their own lives, together. 

For the most part I thought this was an excellent book; I was so glad to see something written in young adult fiction exploring difficult, complex feelings of guilt, and dealing with deep depression, and in this case focussing on teenagers. This is an impressive, moving and honest debut novel with a frank and well portrayed depiction of depression, sadness and self-blame. 

There are some excellent scenes and a real understanding and compassion of depression is demonstrated in the writing, as well as the difficulty some people can have with interactions with others, retreating into themselves so far that their outlook on the world becomes very bleak indeed, believing they are everything their illness tells them they are. The author convincingly depicts problems within different relationships, whether between siblings, mother-daughter, mother-son - so as well as depression and the individual, the novel looks at different family structures and friendships too and how they are affected. 

My main quibble was that I personally was not a hundred percent sure about the ending and whether it felt right to me, but I would definitely recommend others read this novel and decide for themselves. This story affected me in the way I think I thought the book The Fault in Our Stars would but didn't. 

I read a proof copy a while ago now and I hope when the finished book appears here in the UK that there will be appropriate help and support links at the back for the UK for anyone who might need them (as the novel is set in the USA). I do think it is important that topics like this are covered, sensitively. 

I did find parts of this story upsetting and notice my mood drop, so if you doubt your strength do think about whether it is the right time for you to read this, and whether it will help you. 

Review copy received via amazon vine 

Inflicted - Ria Frances

Synopsis

In 1942, as Europe suffocates under the grip of Nazi terror, Anna Levinsky a young Jew, is incarcerated in the ghetto of Theresienstadt. Striving for survival in abominable conditions, during the unveiling of adulthood, Anna's improbable fate hinges on the mercy of others. In the early, wintry days of 2010, sixteen-year-old Theo Drew emerges from a family tragedy trailing a corrosive secret. When guilt threatens to overwhelm him, Theo flees to a deserted woods beside the sea, seeking oblivion. As Anna and Theo’s worlds inadvertently collide and a delicate friendship severs the barriers between age and experience, the truth and the past unravel, revealing the essence of human salvation.

~~~~~

Review

Inflicted is a memorable and impressive debut novel. I found the story incredibly moving at times, and the narrative is heartfelt and touching. It depicts friendship between an older lady, Anna Levinsky, and sixteen-year-old Theo Drew, a friendship across generations that is borne out of kindness, a need for understanding and compassion. Anna is kind towards Theo, offering him advice about bullies and about the tragic situation within his family. Theo, for his part, provides a listening ear for Anna to share her past, one she has scarcely ever spoken of to others, and listening to Anna's story, Theo is taken out of himself and temporarily able to distract himself from his own burdens.

`...listening to her story jolted him out of the cycle of self-pity that had controlled his feelings for so long.'

Through Anna's story, recounting her harrowing experiences during the Second World War, concentrating particularly on the years from 1942, when, as a young Jew, she was held in the concentration camp in the ghetto in Theresienstadt, we see evidence of the great spirit and strength she demonstrated when younger in order to survive, and through Theo's story we see the guilt he carries with him and the sadness that has torn through his family. As a girl and then a young woman, Anna endures terrible hardship, witnesses horrendous acts and is forced to grow up fast.

`I am now a different Anna to the one who left Prague and entered Theresienstadt; half adult, half child with the adult half forced to emerge and stand to attention.'

As Anna enters Theresienstadt in 1942, we see directly through her eyes the terrible reality of the place;

`...a grid of murky, run-down streets with blocks of non-descript buildings rising from its grimy depths. These edifices, naked in their neglect seemed to hang their shabby heads in shame, capitulating to their decay.'

Ria Frances does not pull any punches or hold back, the honesty in the storytelling was a real strength of the book for me, whether it is the actions and behaviour of Theo's mother, or the lengths that Theo himself goes to in order to harm himself and take his pain away, or the details of what Anna endured in the ghetto, these are people going through pain and anguish of loss, or self-loathing, or horrendous treatment, and their experiences are frankly depicted.

For me the author shows a real insight into what makes people tick, what hurts them and what makes them stronger, the connections people forge, and this comes through in the thoughts and words of her characters.

I don't want to give away anything about the storyline but I would say that although I felt Anna's story was the stronger of the two, and very vivid in terms of detail, evidently well researched, powerful and believable, I nevertheless also found Theo's gradual journey of self-discovery well portrayed.

This story is powerfully told, emotional and very moving, tragic yet brimming with kindness and certainly not without hope, and written with compassion and honesty. I'm very glad to have read it. 

Review copy via amazon vine

Jellybird - Lezanne Clannachan

'It's facing your own secrets that takes the greatest courage.'


We meet Jessica Byrne as she has returned to the coastal caravan park owned by her mother, Birdie. Why has she left her life in London, her lovely husband Jacques, and her growing career and returned here? What has happened? Then we are taken back to earlier in the same year, to a first meeting Jessica has with a woman named Libby, who is interested in buying some of the unique jewellery that Jessica designs and makes. Their acquaintance becomes a friendship which Jessica is glad of, it feels like something she didn't have when she was younger. But Jacques seems uncertain about Libby, and Jessica doesn't understand his reaction, he normally likes everyone. Yet she does see that Libby has a domineering personality, and it seems like she becomes controlling of Jessica at times. Libby admits 'I can be tricky and difficult.'....'She bends and shapes words like balloon animals, Jessica thinks.' Then Jessica notices Jacques and Libby in close conversation together and becomes suspicious.

The narrative then takes us further back in time to when Jessica was a lonely teenager, her parents marriage falling apart, her father leaving the family, her mother distracted. Jessica meets Thomas one day, another lonely, ghostly soul, with a cruel father, and they find companionship with each other. Through the novel we move back and forth as more of the past is revealed, and events move on in the present. It's seventeen years since Jessica has seen Thomas, he disappeared, in a desperate state, and she doesn't know where he is, if indeed he is alive - he was feared drowned at the time. Jessica evidently has deep-rooted issues unresolved from these times, as demonstrated by her self-harming. Revisiting these events, and the vivid memories from her childhood, also brings back thoughts of the unsolved brutal murder that lies hidden there. 

There is plenty of uncertainty and suspense within this tense psychological debut novel,  there were moments and revelations which caused me to think twice, to rethink what I thought I knew, and an ending that I had not predicted. I was absorbed in the story and I enjoyed the twists and turns, though sometimes I think I might have liked an ever so slightly quicker pace to parts of the story. The portrayal of growing up and of teenage insecurity and searching for identity, and of struggling to get through those difficult years whilst also dealing with family break-ups and disfunction is strong and really convincing; I was impressed by this aspect of the narrative in particular. The author writes well about so many different relationships; close female friends, partners, parents and children, teenagers. I liked how the story moved from the present to the past and back, building the tension. There's a dark tone and an air of menace to some aspects of the story which makes it an unsettling and intriguing read that depicts both lighter and darker sides of life. Jellybird is an intriguing, engaging and suspenseful debut from a talented new writer. It'll be interesting to see what Lezanne Clannachan does next.

Thank you to the author for kindly sending me a copy of her novel for an honest review.

Author links - twitter @LezanneClan | website |

Published by Orion

Other blog reviews - Girl Vs Bookshelf | Reading Matters | Liz Loves Books | Random Things |

The Apple Tart of Hope - Sarah Moore Fitzgerald

‘He wasn’t just my friend. He was kind of magic.’

I previously read and enjoyed Back to Blackbrick, Sarah Moore Fitzgerald’s debut novel, so when I saw she had written a second novel, I was keen to read it, and when I saw the lovely title and the beautiful cover design, I was even more attracted by it.

Oscar and Meg live next door to each other, and have done for years, and they chat to each other through their facing bedroom windows. The pair of them have developed a close friendship, and brighten up each other’s lives:

‘We got to sitting at our windows, late at night, at the end of every day. He was different from anyone I’d ever met, and when Oscar was my friend, nothing was annoying or complicated. Everything was simple and enjoyable and fun. Everything made sense.’

As the story opens, we learn that Oscar is missing, presumed dead by suicide, though Meg, as well as Oscar’s brother Stevie, wont believe it. Then we are taken back to several months before, and the story tells of Meg’s father taking his family to New Zealand with him for six months with work, with Meg bitterly opposed to going. Alternating chapters, ‘slices’ of an apple tart, are recounted from Meg’s, and then Oscar’s, perspective, and gradually reveal how Oscar and Meg’s friendship is changed when she does go. A new girl, Paloma, and her mother, move into Meg’s house temporarily. With regard to the book’s title, Oscar has a heightened sense of when something particular is in the air, and this is when he bakes one of his remarkable apple tarts which improved people’s feelings and helped with troubles.

I felt this story had real depth, and dealt honestly and compassionately with strong emotions and serious decisions. At times it was also rather magical which just added an extra element of sparkle to a great tale. I liked Meg and Oscar, and I was compelled to read on and discover what happened to them both, why had things changed, what had caused so much sadness? There are themes of love and friendship, the difficulty and sadness of separation and loss, as well as belief and honesty, manipulation and jealousy. The story shows how strong a connection we can feel for another person, and how nerve-wracking and all consuming it can be when we try to convey our feelings, and how devastating it is if we suspect our feelings aren’t reciprocated, and all this even more difficult to deal with as a teenager.

It’s a fairly quick read and is really well written with some lovely use of language; I liked this description of one of the character’s homes; ‘Barney’s house stood battered and gloomy, as if it was in a sulk from having gone to the elaborate trouble of being built and then having been neglected so badly that it looked as if nobody lived in it.’ Overall this is another very good young adult (and indeed adult) offering from this talented author.

Thank you to amazon vine for a review copy of this novel. 

Author links - twitter @SMooreFitz |

Published by Orion Children's Books

My review of Back to Blackbrick

Songs of Willow Frost - Jamie Ford

I loved Jamie Ford’s debut novel, Hotel on the Corner of Bitter and Sweet, and so was very much looking forward to reading his new novel, and I found it another very special story, with a fascinating setting and period, and a very engaging pair of main characters in William Eng and Liu Song, or Willow Frost.  They both have a lot to overcome in their lives, are subject to poverty and prejudices, and suffer many losses.

It’s 1934, in Seattle, when we meet twelve-year-old William at Sacred Heart Orphanage, run by nuns for orphans or children who have been left there temporarily, some parents do return eventually, others do not. William is American, of Chinese descent. He has a couple of good friends there, Charlotte, and Sunny. It is Charlotte, a blind girl, with whom he shares the closest friendship, and they plot together to leave the home one day; after a previous trip to the city when William saw a movie featuring Willow Frost, he believes she is actually his mother, and determines to find her.

The story takes us back to 1921 and introduces us to Liu Song, a young woman whose mother is very ill and weak, and her mother’s unkind second husband, known as Uncle Leo. Liu Song’s own late father, and her mother, were once actors, loving to perform, and she realises she wants to follow in their footsteps. But there are so many barriers, such cruelty, she suffers sadness and pain in her life. We learn of what she has been through, so that when new happiness seems to be possible, when she meets a kind man, she is scared to believe in it: 'She hesitated to hope and dream, unsure if she could take another loss - even a rejection seemed far beyond her capacity to endure.'

For both William and Liu Song, there are highs and lows as they struggle through their lives. Being able to perform brings some happiness to Liu Song but she feels so alone much of the time. There are occasional happy moments at the orphanage, none more exciting and magical for William and the other children than when they are told that a bookmobile is visiting:

'William's excitement grew as the line shortened and smiling, delighted children began wandering off, books in hand, finding places to sit and read. William had been to the public library only once before, on a field trip, and even though he wasn't allowed to check out anything, he never forgot how it felt to wander in and see books on shelves as high as the ceiling. The library is like a candy store where everything is free.'

Songs of Willow Frost offers a moving and vivid portrayal of 1920s and 1930s Seattle, the effects of the Great Depression are to be seen as characters pass through the streets and see those who are destitute. The growing popularity of cinema as entertainment and escape is also brought to life. 

William is a courageous boy, determined to believe his mother wants him back. Willow strives to do the best she can for her son and to protect them both from those who would interfere or separate them. I found myself hoping for a better future for both William and Willow, I admired them and felt they both had an instinct for survival despite the often heavy odds being against them. I believed in both of them, and felt moved by their experiences, wanting them to break through the sad times and troubles, and find happier days ahead. 

As in his debut novel, Jamie Ford uses the dual time-frame narrative again here really well,  I liked having several chapters focussing on William's life first, and then several that took us back to discover what had happened to Liu Song, and then forwards again. The author draws on his own childhood in Seattle's Chinatown to create an authentic and evocative background canvas of the city in which the story takes place. I was engrossed in the author's depiction of the times. There were memorable well-drawn minor characters too, like Mr Butterfield at the sheet-music shop where Willow sings, and Sister Briganti at the orphanage. I was only disappointed at how things were resolved between two of the characters towards the end but I won't say who because it would be a bit of a spoiler.

I loved having the map at the front of the book and referred to it several times to follow where William or Willow were in the city at certain points in the story, it brought it to life even more for me. 

This is an absorbing, atmospheric and well-paced read of family and friendship, love and loss, tradition and culture, pain and hope. Though at times it is joyful, there is much that is so heartbreaking; despite this I very much enjoyed reading it, in particular because of the strong characterisation and the vivid, captivating depiction of the setting and the period. 

Thanks to the publisher for kindly sending me a copy of this novel for an honest review.

Published by Allison and Busby

My review of Hotel on the Corner of Bitter and Sweet

Lacey's House - Joanne Graham

'I wanted to walk right out of my life and leave it behind.'

Sometimes one way I can see how much I loved a book is by how many sentences or paragraphs I tab with little sticky notes to come back to and think about again once I've finished. There were a lot of places I marked in this book. There were parts of the prose that resonated with me, that moved me, and parts where the use of language particularly appealed to me. In summary, I thought this was a very special book. 

Rachel Moore has suffered a sad loss and moves from Birmingham to the countryside, to get away and start afresh. She is a solitary soul, having grown up in care, though having a brief period with some loving foster parents. She meets Lacey Carmichael, the older lady living next door. Lacey is another isolated soul, teased by the local children, labeled as the mad woman down the road, she is misunderstood and lonely. Then she is accused of a terrible crime.

A connection forms between them, and they begin to trust each other, and to share painful things with each other that they have never told anyone else. They've both experienced such sadness and from sharing their secrets a friendship blossoms despite the difference in their ages. The development of this friendship between Rachel and Lacey over the course of the book is wonderful and fascinating to observe. As time passes, Rachel thinks about how she feels about Lacey: 'I found that I cared for her very deeply, that her vulnerability had somehow pulled me closer and I carried her words, her story, like a heavy cloak about my shoulders.' Rachel attempts to express the pain and sorrow in Lacey's past through her artwork. 

'Her memories came home with me. Walking straight into my studio, I mixed them with acrylics; different shades of blue and deep, swirling turquoise that I threw at the huge canvas as I painted her sorrow, a raging, tumultuous thing that, when I was finished, left me breathless and empty.'

The chapters alternate between the two of them, Rachel's in the first person and Lacey's in the third, and the story progressed and worked really well written in this way.

Rachel likes and trusts Lacey, but doesn't yet know the whole truth; she, and the reader, are kept in suspense. Rachel fears that in the future she too might experience the depths of isolation that Lacey has;

'In fifty years time would it be me standing where Lacey was, with the past eating into me from the inside? I recoiled from the idea of experiencing for myself the stark loneliness that had been so apparent in Lacey's eyes.'

Joanne Graham writes with immense insight, empathy, warmth and poignancy about these women's lives and pasts, and writes sensitively and honestly about themes of mental health, loneliness and loss of a child, about damaging things that happen in people's lives which they are scarred by and understandably spend much time and energy grappling with. I felt emotional as I read, I was angry at the cruelty in Lacey's past, at what people could get away with. So much of a person's past can be hidden away, unknown, unvoiced. I empathised with and liked both Rachel and Lacey, and they both felt very real to me as I was reading. As Lacey thinks to herself, 'How sad for them both that they had to grow up without loving families.' As well as creating engaging, rounded characters, the author tells a powerful story. 

For me, Lacey's House is a wonderful, incredibly moving and very special story of female friendship across generations. It has stayed in my mind since reading it and it made me think. Beautifully, sensitively written, perceptive and touching, I think it was a very worthy recipient of the Luke Bitmead Bursary, a superb debut novel and I'd say it's one of my reading highlights of the year so far.


Thank you to the publisher for kindly sending me a copy of this novel for an honest review. 

Author links - twitter @YarrowH | website

Published by Legend Press

The People in the Photo - Hélène Gestern

'Sometimes I wonder what 'truth' it is we're chasing after exactly, and what kind of state it will leave us in if we find it.'

Hélène Hivert is an archivist in Paris. She places a newspaper advertisement with a photograph, asking for information about the people in it. One of them is her mother, Nathalie, and then there are two men in the photography with her. It was taken in 1971 at a tennis tournament in Interlaken. Hélène's mother died when she was only three years old. She receives a response from Stéphane, informing her that his father Pierre was one of the two men in the photograph. Stéphane is Swiss, a biologist currently living in Kent, England. 

After his initial response, further correspondence is undertaken between the two, and they reveal memories and gaps in their pasts to each other, increasingly able to confide in each other. They uncover more about their pasts and those of their parents. But it remains to be seen whether the things they discover will help or hurt them, bring them relief and understanding or pain and sadness; either way, the revelations will affect and change their lives:

'...I'm aware that digging up the past is risky. Who knows what secrets they were trying to protect us from and at what cost?'

Hélène's father disclosed little about her mother, and she was raised by a loving stepmother too. After her father's death she found the photograph of her mother with the two men, and decided to now try and find out more about Nathalie. Some of the pair's relatives have passed away, so they must look harder sometimes if they are to continue the search for the truth that has been hidden in history.

I loved this book. Once I started reading, I was captivated by the story, I cared about the characters and I didn't want to stop reading until I'd finished it. The narrative is told predominantly through the exchanges between Hélène and Stéphane via the content of their letters, emails and text messages. It was incredibly moving to be an observer of their exchanges, reading how their connection to each other developed and evolved as they corresponded, and to notice the similarities in some of the feelings and emotions they had experienced in their lives:

'I too feel that inner emptiness, which you describe so poignantly. And, as I grow older, I find it increasingly hard to bear.'

There is a very understandable need to find answers, to discover their real background, so that they might feel a truer sense of themselves too:

'You told me you found it difficult to come to terms with your background. As for me, I've been plagued by anxiety my whole life. My mind is filled with images I can't explain, scenes of catastrophe and things falling apart. I have rarely been able to shake this sense of anguish, even at what should have been the happiest times of my life.'

This aspect in particular really appealed to me; who doesn't wonder about those parts of their past and their family's past that they know little of, and if this relates to a parent, even more so. 

Another part to the narrative, interspered amongst the correspondence, are descriptions of further old photographs; these are uncovered as the story progresses, and each sheds light on another aspect of the past. Each is beautifully described by the author, so that without having them in front of us, it is almost as if we do, and we can picture them in our minds eye. 

The People in the Photo is a wonderful, emotional and very moving read, definitely a keeper for me, and a book I'd love to read again. I do like epistolary novels and this form works very well here, brought up to date by the use of email and text. There are themes of love and friendship, identity and memory, confronting and dealing with the past, and finding forgiveness. There's always a sense of intrigue and wonder when we look at old photographs of people and this novel captures this and delivers a great story via this starting point. One of my favourite reads so far this year. Beautifully written and translated, I loved the structure and the way the story was told, so I'd certainly recommend this novel. I hope there will be more novels from this author.


I was kindly sent a review copy of this novel - this is my honest review.

Published by Gallic Books | twitter @gallicbooks
Translated from the French by Emily Boyce and Ros Schwartz

The Visitors - Rebecca Mascull - Review & Author Q&A

Today I am reviewing The Visitors by Rebecca Mascull, and I'm delighted to also welcome  the author herself to the blog in an interview below! 

My review

'I know there is a land that surrounds me, but always lies just beyond my grasp. I feel its constant presence through everything everyone else can do and I cannot.'

The Visitors is an intelligent, imaginative and beautifully written debut novel which I found absorbing and really enjoyed reading. The author has created a wonderful, convincing narrator in Liza, a young deaf-blind girl, and by telling the story in her voice almost throughout, we are drawn deeply, vividly into her unique world and able to share in all that she can, and cannot, be part of: 

'...I cannot imagine comprehending an object through anything but the feel of it, the shape, the weight, the texture and the space it inhabits. Does all this also come through sight, or is it something so different it cannot be conceptualised, as different from touch as smell is? Another country, another language, another arena of sensation? I ache for it.'

I found this a captivating read that I was eager to continue with. It was a pleasure and a joy to read because of the way the reader could share so closely in Liza’s joy as she discovers more of the world around her through the use of finger spelling with Lottie, and then in other ways as things change further for her than she could have hoped. 

Lottie is a hop picker working for Liza's father, and in her Liza finds a very dear and devoted friend, the way they are together is heartwarming, with Lottie patient and kind. Liza finds love and friendship amongst Lottie's family too, with her brother Caleb's letters from the Boer war in the second half of the book adding further shape and historical context to the narrative. Liza has a loving father, their closeness was wonderful and I was glad she had this relationship, as, at least at first, her mother was too weak to be there for her. 

With the Visitors, the ghostly apparitions seen by Liza when she closes her eyes, and with whom she can communicate in her mind, the author adds another dimension to Liza's experiences and to the tale. I liked the significance of the role they played towards the end of the novel, though of course I won't write more about that here so that I don't spoil the story. The descriptions of the Kent hop fields, the oyster beds, and the Boer war are vivid and evocative. The book has a very attractive cover design, too. 

What I think I liked most of all was that Rebecca Mascull makes us see anew through Liza’s eyes much of the wonder in the world around us every day, and made this reader think about appreciating it all, and not taking things for granted. 

For me this was a very engaging, moving and atmospheric story of devoted, wonderful friendship, first love and attraction, of travel, adventure and war, and of ghostly visitors. I looked forward to getting back to it every time I had to put it down, and I read it in only a few sittings. An impressive debut.

Thanks to amazon vine for a review copy of this novel. 

Author links twitter @RebeccaMascull  | tumblr
Published by Hodder & Stoughton 

Q & A with Rebecca Mascull

Q. The Visitors is set in the late 19th/early 20th Century. What prompted you to set the tale at this point in history? Was this a period you already knew about, was there a lot of research involved?

When I decided to portray a deaf-blind child and her education, I wanted to set this at a point in history where she was facing a huge struggle against the odds. I didn't want her to necessarily be the first to do this - as there are well-documented real-life cases such as Helen Keller that have already covered that ground - but certainly at an early stage, so that essentially my character would be seen as an idiot before she had learned to communicate effectively - that is, until she learned language.

I didn't know much about the late Victorian/early Edwardian period at all - yet that was part of the challenge for me, and indeed, part of the fun! I love to learn and having an excuse to read lots of history books, visit old houses and inhabit another era is part of what I love about being a novelist. In his novel 'The Go-Between', L. P. Hartley writes: 'The past is a foreign country: they do things differently there.' So true. And anyone who knows me well will tell you that I do inhabit another country in my head much of the time, and that I do live in the past! I like many things about the modern world - mostly its convenience and some of its technology - but my heart resides in history.

Q. Have you wanted to write about a deafblind character for a long time or did the idea come to you quite recently?

I was lucky enough to work with deaf students about twenty years ago and was hooked on the idea of writing about deafness, as it is such a fascinating area of study. There are theories about the differences between the deaf brain and the hearing brain, as well as so much to consider when it comes to the structure and nature of sign language and how it compares to spoken and written language. I also saw a TV movie about Helen Keller as a child and tried very hard to imagine what it must feel like to have no sight and no hearing. These influences stayed with me and when I came to decide on this project, they came together and insisted they be written!

Q. I felt like Liza was very convincing, that you got inside her head and really showed how things were for her. How easy was it to write Liza's character and write about the way she experiences the world?

I'm so glad you felt that about Liza. It was difficult at first to imagine her world, particularly before she could see. I had to shut off the two senses I tend to use most when writing. I made lots of errors in early drafts where I forgot that she couldn't hear, and had her turning towards sounds and all sorts! So it was a big learning curve. I also had to embrace my sense of smell, which for me is not particularly good, and imagine how it would be to live through touch and smell primarily. It wasn't easy, but for me writing about myself or people similar to me would be dull. One of my motivations in writing is to escape, I suppose! The same as my motivation in reading or watching movies or engaging in any sort of narrative. So I do like to explore people in different times and lives and experiences, different to myself, that is. That's one of the joys of writing novels, for me.

Q. I loved the way Liza made me appreciate things that I can see and do, is there anything in particular that you appreciated anew as you were writing her character?

That's a super question. In the early chapters, before she can see, I tried hard not to pity her. She didn't pity herself as she didn't understand the pathos of her own condition. And even once she did understand, I think it just made her more determined to push forwards. This made me think the next time I was whining about some minor problem or inconvenience I'd had to put up with and made me tell myself, just shut up, Mascull: you've got NOTHING to complain about! 

Q. When is your favourite time of day to write, or do you just write as and when you can, whatever time it is?

I do have a routine, which these days is largely dictated by the school day and holidays. Thus, I write from 9.30 to 2.30, 5 days a week during term times and don't do much writing at weekends or in school holidays. However, I get a lot of research reading and note-taking done out of school hours, whenever I can fit it in: in the bath, in the evenings, while I'm waiting for my daughter after school or during clubs. In a perfect writer's world, I'd write all day from 9 - 5 in an empty house while it's snowing outside; there's something about the silence snow creates which is very conducive to writing. But who wants to live in a perfect world? That'd be dreary.

Q. Are you writing a second novel, and if so can you share anything about it yet?

Actually I've just finished writing my next novel. I don't have a title yet to share with you (I'll let you know as soon as I do!), but I can tell you a bit of what it's about. It's set in the C18th, where an orphan girl is educated through a benefactor. She becomes a scientist - or as they were called back then, a Natural Philosopher - she travels abroad and makes a remarkable discovery... It has various themes, of the sea, of love and war, of poverty and the position of women; and it was a joy to write. I enjoyed the C18th hugely. I'm about to get cracking on the line edit and I'm looking forward to diving back into its world, and particularly the C18th, which was chaotic and a little bit scary, but hugely entertaining! The novel is due for publication around this time next year. 

Q. Can you recommend a book or two you've enjoyed reading this year/or a couple of favourite books?

Ooh, good question. One of my favourites in the last year was 'Where D'You Go Bernadette?' by Maria Semple. From the rather gaudy cover, I didn't expect to like it at all, and I only read it because my lovely editor at Hodder gave it to me. But it was brilliant - very, very funny and thought-provoking and full of interesting stuff - such as Antarctica, where I've always wanted to go - and also things I could totally relate to, like the pressures of the school run, for example. I couldn't put it down, and that doesn't happen for me much any more. Sadly, reading novels can become a bit of a busman's holiday for me at times. I have to really be grabbed by a book to carry on reading after the first 30 pages, let alone finish it. I find myself over-analysing novels too much, and if any of the cracks show I end up tearing it to shreds in my head and get thrown way out of that necessary suspension of disbelief. So when I find one I can't stop reading and get lost in and don't remember I'm actually reading a constructed novel written by someone...well, I get terribly excited! Old favourites include anything by Salinger; The Great Gatsby, Wuthering Heights, Atwood's The Blind Assassin; Charles Frazier's Cold Mountain; most of Amy Tan's early novels - the ones about China and sisters and mothers; and then odd, quirky ones like The Mambo Kings Play Songs of Love by Oscar Hijuelos. One of the best writers around right now I believe is Marilynne Robinson; the quality of her prose is so far above the rest of us, it's terrifying - and inspiring. 

Q. As a published debut novelist, are there any particular tips you'd give to aspiring writers?

You do have to possess a kind of stubborn determination to carry on, I think. There will be many obstacles in your way, including your own insecurity. There will be many gatekeepers saying No Entry. You have to find ways around and past these, including using charm, side-stepping and sheer bloody-mindedness to keep going and going, improving your writing, picking yourself up from rejections and criticisms and downright hatchet jobs of your work. Somewhere inside there needs to be a kernel of self-belief, that your work is good, that you can make it better every time you sit down to write, and that one day you will find the readers who 'get' you, the ones that say, Yes, I know what you're trying to say and I like it! It may take years and years of trying, but if you get enough signs and signals from the world that what you're doing is good, then you must keep going, you simply must. I wish every writer on this journey the best, as it's not an easy road to travel. But I wouldn't choose any other path.

~~~~~

Thank you so much, Rebecca, for being on my blog today! 

Here's a glimpse of the paperback cover design for The Visitors, to be published on July 18th 2014.

In Too Deep - Bea Davenport

'How had it come to this, I thought. What do I do now?'


Maura Wood is looking back, something has triggered a memory. A photograph in a newspaper. It's of Kim Carter. For a short time they were best friends. Except Kim is dead and Maura 'ran away and became another person.' It was five years ago when Kim died, and Maura has a new identity, and has moved to live and work in South London and try to escape the past. 

Taking us back to five years ago, we drop in on Maura's life then. She lived in Dowerby, a market town in northern England, having moved there with her husband Nick and their young daughter Rosie. From the way Maura describes Dowerby, with its castle and tourist attractions, and the locals who aren't keen on newcomers, it's clear she isn't overly enamoured with the place, to put it mildly, a view that subsequently turned to hatred: 

'Does it seem crazy to feel hatred for a place? Or do you really just hate what happened there? I think I really hate Dowerby, as much as if it was a person. For its smallness, its unwelcoming feeling, its inability to change. I'm grateful to London, though, for allowing me and those like me, to blend into its people-wallpaper, totally unseen.'

Five years ago, preparations were in motion for the annual Dowerby Fair, and Nick is a key organiser of the events, seeking more publicity for the fair to attract higher visitor numbers.  Kim Carter arrives in the town to work as the new district reporter for the regional evening paper. Maura gets to know her, and is friendly towards her unlike many of the locals. Kim is talented and confident, and she becomes like a sister/best friend that Maura has never had before; up until Kim arrives, she made do with her husband and child's company, with no real friends. A firm bond grows between them. Maura laughs and relaxes in Kim's company, and finds a new side to herself, a side she can't express at home. Her behaviour changes through her friendship with Kim. She even starts working with her, gaining more independence, though she is fearful that Nick won't approve of this. He is often unkind and critical in the way he speaks to her, and as the story moves on, we realise that his cruel, controlling and abusive treatment of Maura is not limited to words. I liked a lot of things about Maura, I was glad she had this new friendship and the work that boosted her self-esteem, but I felt saddened at how she was still with Nick after some of his actions had been described; a couple of times I willed her to act differently. 

Back to the present and there is talk of the fair being revived after a five year absence, cancelled as we learn at the start of the novel after Kim's death. Talk of a possible revival has reignited interest in the events surrounding the fair five years ago. Maura, living her new life, working two jobs, surviving alone, suddenly realises that someone is watching her, following her, a reporter asking about her and wanting to resurrect the past. 

I really enjoyed In Too Deep and once I started reading, I raced through it eager to learn more and discover what exactly had happened in the past and how everything fitted together, as well as wanting to know what would happen in the present. I thought there was a good amount of suspense in the story, and the author caused me to ask myself questions, to doubt characters, to question their motives. The characters are well-drawn, they are rounded, with good qualities and with faults. I was convinced by the portrayal of Nick, a nice man on the face of it, his true, awful nature shown in his home. Similarly Kim felt real to me, a beautiful and clever lady, good at her job, but perhaps too keen to ruffle people's feathers and one of those people who can mean so much more as a friend to others than they might to her - though I do think she cared for Maura. I liked the insight into journalism too. The setting, the claustrophobic, at times small-minded community, was vividly depicted. I hoped that things would be better for Maura and there was one aspect of her current life, something missing from it, that I thought must have been incredibly painful.

I found this a tense, compelling, well-paced and nicely structured story, and I would definitely read more from this author in the future. 

Thank you to the publisher for a copy of this novel for an honest review. 

Author links - twitter @BerwickBabs | website

Published by Legend Press