The Leipzig Affair - Fiona Rintoul

Synopsis

The year is 1985. East Germany is in the grip of communism. Magda, a brilliant but disillusioned young linguist, is desperate to flee to the West. When a black market deal brings her into contact with Robert, a young Scot studying at Leipzig University, she sees a way to realise her escape plans. But as Robert falls in love with her, he stumbles into a complex world of shifting half-truths – one that will undo them both.
Many years later, long after the Berlin Wall has been torn down, Robert returns to Leipzig in search of answers. Can he track down the elusive Magda?
And will the past give up its secrets?


Review

'It's another world over there.'

I loved this novel, it had me gripped all the way through. The setting and time period is one that I find fascinating having studied German, and I do enjoy/find intriguing a lot of fiction that involves events surrounding the Berlin Wall and the former East Germany. Fiona Rintoul has created two captivating main characters in Magda and Robert. She creates tension and suspense, and really conveys the atmosphere and secrecy of the times. Magda is studying interpreting in Leipzig, East Germany, in 1985, but is disillusioned with life and politics there, and wants to leave and get to the West. Robert is a student at St Andrews, and events see him ending up in Leipzig and meeting Magda, getting to know some of her friends, and becoming involved in her complicated world.

The story is told in alternating chapters with Robert's story recounted in the first person, and Magda's told in the second person. I thought these points of view worked successfully here. I felt Robert's character was fleshed out particularly well; his personal weaknesses and the moments from his business career added depth and dimension to the story. The novel concentrates not only on those days back in 1985, but also takes us to the present, with the Berlin Wall having fallen and Robert finally revisiting Leipzig, and I was excited and nervous to travel with him there once more and discover what, and who, he would find there this time.

I felt absorbed in the tale as I read and I also felt that the author knew her stuff regarding the background and setting of her novel, and that she wrote in a balanced way about this period of Germany's history. Though Magda and many others like her felt determined, desperate to flee to the West from the GDR, and were very disillusioned by the country, the Stasi surveillance, the way some people were treated such as the tragedy that befalls Magda's brother, nevertheless many people also looked back at their former country with a certain amount of regret once it was gone. This is captured particularly well in a conversation between Magda and her father, after the regime has come to an end:

'"Personally, I think we've paid a very heavy price to have bananas in the shops and shiny new cars on every street corner. I look around me and I see young people with no jobs and no hope. I see homeless people. Did you ever see a homeless person in our Republic?..."

He's jutting his chin out again. It's odd. You agree with much of what he says. It's true that things are not so wonderful in the the new Germany. The West Germans are arrogant. They think they know it all. People like you have become strangers in their own country. Everything from the past has been swept away, whether it was good or bad, without anyone asking if that's what the people want.'

It's sad to read that 'all the dreams from 1989 of building a better kind of GDR, creating a new kind of socialism, are long forgotten.' Fiona Rintoul gives us a picture of the hope and then the reality that many felt hit them after reunification.

I thought The Leipzig Affair was a really enjoyable, gripping read, well-written throughout. I'm really glad I read it and I will definitely be watching out for more works by this author.

Review copy received via amazon vine

Inflicted - Ria Frances

Synopsis

In 1942, as Europe suffocates under the grip of Nazi terror, Anna Levinsky a young Jew, is incarcerated in the ghetto of Theresienstadt. Striving for survival in abominable conditions, during the unveiling of adulthood, Anna's improbable fate hinges on the mercy of others. In the early, wintry days of 2010, sixteen-year-old Theo Drew emerges from a family tragedy trailing a corrosive secret. When guilt threatens to overwhelm him, Theo flees to a deserted woods beside the sea, seeking oblivion. As Anna and Theo’s worlds inadvertently collide and a delicate friendship severs the barriers between age and experience, the truth and the past unravel, revealing the essence of human salvation.

~~~~~

Review

Inflicted is a memorable and impressive debut novel. I found the story incredibly moving at times, and the narrative is heartfelt and touching. It depicts friendship between an older lady, Anna Levinsky, and sixteen-year-old Theo Drew, a friendship across generations that is borne out of kindness, a need for understanding and compassion. Anna is kind towards Theo, offering him advice about bullies and about the tragic situation within his family. Theo, for his part, provides a listening ear for Anna to share her past, one she has scarcely ever spoken of to others, and listening to Anna's story, Theo is taken out of himself and temporarily able to distract himself from his own burdens.

`...listening to her story jolted him out of the cycle of self-pity that had controlled his feelings for so long.'

Through Anna's story, recounting her harrowing experiences during the Second World War, concentrating particularly on the years from 1942, when, as a young Jew, she was held in the concentration camp in the ghetto in Theresienstadt, we see evidence of the great spirit and strength she demonstrated when younger in order to survive, and through Theo's story we see the guilt he carries with him and the sadness that has torn through his family. As a girl and then a young woman, Anna endures terrible hardship, witnesses horrendous acts and is forced to grow up fast.

`I am now a different Anna to the one who left Prague and entered Theresienstadt; half adult, half child with the adult half forced to emerge and stand to attention.'

As Anna enters Theresienstadt in 1942, we see directly through her eyes the terrible reality of the place;

`...a grid of murky, run-down streets with blocks of non-descript buildings rising from its grimy depths. These edifices, naked in their neglect seemed to hang their shabby heads in shame, capitulating to their decay.'

Ria Frances does not pull any punches or hold back, the honesty in the storytelling was a real strength of the book for me, whether it is the actions and behaviour of Theo's mother, or the lengths that Theo himself goes to in order to harm himself and take his pain away, or the details of what Anna endured in the ghetto, these are people going through pain and anguish of loss, or self-loathing, or horrendous treatment, and their experiences are frankly depicted.

For me the author shows a real insight into what makes people tick, what hurts them and what makes them stronger, the connections people forge, and this comes through in the thoughts and words of her characters.

I don't want to give away anything about the storyline but I would say that although I felt Anna's story was the stronger of the two, and very vivid in terms of detail, evidently well researched, powerful and believable, I nevertheless also found Theo's gradual journey of self-discovery well portrayed.

This story is powerfully told, emotional and very moving, tragic yet brimming with kindness and certainly not without hope, and written with compassion and honesty. I'm very glad to have read it. 

Review copy via amazon vine

The Blue Suitcase - Marianne Wheelaghan

'Everyone is on edge and scared - scared to say what they think, and scared of what might come. Those not killed by the bombing are collapsing in the street from stress and anxiety.'

The Blue Suitcase is a fictional work that was inspired by actual letters and diaries which the author Marianne Wheelaghan found amongst her mother's belongings after her death, and it tells the story of a teenage girl growing up in Nazi Germany. The author writes in her prologue:

'I discovered the story of a vital person, who endured a shocking history, and this is why I have translated everything and put it in book form here. Simply put, her story deserves to be told.'

Written in the form of diary entries by the central character, Antonia Nasiski, as well as letters between her and members of her family, with some entries just a few lines long, others several pages, this is a moving, honest account of several years in a girl, and young woman's, life before, during and after World War II. Antonia lives in Breslau, in what in 1932 was the Province of Silesia in Germany, and is now an area within Poland. The story follows Antonia's life through the 1930s and 1940s, and charts the political and societal changes happening around her and her family, and the way these affect them all.

It's a frank record of turbulent times, when there seemed to be a strong answer to a country's problems but which turned into an horrific, destructive regime. And here is the voice of a girl, growing into a young woman as all this happens, recording her thoughts, her feelings, her reactions, what happens to her and those around her. 

I started reading and felt that the child's voice felt authentic and believeable; her observations suit the age that she is at - nearly twelve in 1932 when the novel starts - with sibling rivalry and jealousy, childlike hope, happiness and indignation at things she sees as unfair. She mentions the changes happening in the world around her, most affected by the fact that the events are causing her family to argue all the time. Antonia's Papa, who was initially not keen on the new leader, remarks that 'All Hitler is trying to do is gain stability. If anyone can hold Germany together, he can.' To which his wife replies 'What's gaining stability got to do with locking up my son and raiding bookshops?' And so we hear about the wonderful authors whose books have been removed from the shelves. Twelve-year-old Antonia witnesses all of this and writes 'I wish they would stop arguing!' This conflict represents the divide between those who believe the changes may be for the better and those who are uneasy or angry about what is happening to their country. It's hard to read about this period of history without thinking about the horrific outcome, but the author portrays here how, at the time, some people were swept up and deceived by the force of change.

Through her diary recording her daily life, including the disagreements between her family, we see the implications of the large scale political changes as they affect one group of ordinary people causing divides and unrest. She writes of the dramatic things that happen to her family. She sees her brothers torn between the extremes, Hubert loyally following Germany's new leader, Hansi sympathising strongly, later to his cost, with the communists. I thought the positions taken by her two brothers, and the paths they followed, made for a very interesting contrast within the story. Her sister Maria is unable to fulfil the ideal role of a mother that society wants her to be. Through Maria's letters we learn of the bombing of Berlin. It was sad to read how Antonia's mother becomes a shadow of her former self. 

The situation grows desperate and frightening for them all. In April 1945 Antonia writes of the way the people are being treated now by the German authorities; 'They terrorise and bully us and don't care if we live or die. How did it come to this?'  She has grown up through such tumultuous times, seen so much distress, we observe the way she has to mature, just to cope, going from a girl who just wanted an enjoyable birthday celebration without arguments at the start of the book, to a woman desperately trying to survive in a city turned to ruins, seeing what was her homeland disappear. I felt the terror and fear as people were ordered to leave Breslau. 

There is so much change, so much suffering and sadness as their lives become more and more difficult, and it's a battle to survive. In taking as its focus ordinary German citizens, this novel tackles an area not always broached in WWII fiction, the author illustrating how war affects people on all sides. I'm reminded a little of the conflicting empathy I felt whilst reading other novels such as The Undertaking by Audrey Magee and The Aftermath by Rhidian Brook.

The writing style, presenting the events day by day and with such a frankness and at times factual tone, yet showing the very personal effects they have, makes the novel very readable and shocking at the same time. Marianne Wheelaghan has taken the personal documents she found, part of her own family history, and combined this with historical research to create a compelling, frank portrait of ordinary people living through a period of huge change and terrible destruction, people surviving at times through awful conditions and changed irrevocably during those dark days. This isn't always easy reading, at times it is uncomfortable and harrowing, but it is fascinating, thought-provoking and hard to put down, I was eager to know what happened to Antonia and her family. I liked the representations on the suitcase on the book cover of the journeys which Antonia makes. 

Thank you to the author for kindly sending me a copy of this novel for an honest review.

There's more information on the author's website about the background to writing this novel.

Author links - twitter @MWheelaghan | website |
Published by Pilrig Press

Tuesday Intros: The Blue Suitcase by Marianne Wheelaghan

First Chapter First Paragraph Tuesday Intros hosted by Bibliophile by the Sea - every Tuesday, sharing the first paragraph (or a few) of a book you are currently reading or thinking about reading soon. Visit the blog here to join in.

I'm reading The Blue Suitcase by Marianne Wheelaghan.

First paragraph

'Mum was eighty-two when she died. I discovered the suitcase three months later. Her flat was to be sold. I was waiting for the agent to come and view it. Except for a feather duster forgotten in the airing cupboard, a kitchen chair and the big mahogany wardrobe, the place was empty.'

~~~~~

What do you think, and would you keep reading?

I've nearly finished this book and have found it a very interesting historical read with a compelling voice, namely Antonia's personal diary entries.

~~~~~

Synopsis

It is 1932, Silesia, Germany, and the eve of Antonia's 12th birthday. Hitler's Brownshirts and Red Front Marxists are fighting each other in the streets. Antonia doesn't care about the political unrest but it's all her family argue about. Then Hitler is made Chancellor and order is restored across the country, but not in Antonia's family. The longer the National Socialists stay in power, the more divided the family becomes with devastating consequences. Unpleasant truths are revealed and terrible lies uncovered. Antonia thinks life can't get much worse - and then it does.

Partly based on a true-life story, Antonia's gripping diary takes the reader inside the head of an ordinary teenage girl growing up. Her journey into adulthood, however, is anything but ordinary.

The Undertaking - Audrey Magee

In the midst of World War II, Peter Faber and Katherina Spinell embark on an usual marriage – they haven’t even met. Peter takes this step to get ‘honeymoon’ leave from the Eastern front, and he travels to Berlin and meets his wife and her family for the first time. For Katherina, it offers a war pension should he die. Before the war a schoolteacher in Darmstadt, now he is fighting in Russia, for his homeland Germany. Despite the unconventional manner of their union, the pair do find they like and indeed come to love one another, making it difficult for them both when Peter has to return to Russia.

The narration moves between Peter’s horrendous time in Russia as his division moves towards Stalingrad, and Katherina’s life in Berlin, where she enjoys a relatively comfortable existence for a time – this is thanks to her father’s close acquaintance with the powerful Nazi Dr. Weinart, who he almost slavishly complies with, even to the point of not defending his own war-damaged son Johannes in front of him. When the war starts to go against Germany, though, both of them find themselves still apart, and in dire circumstances.

The author writes with brutal honesty of the appalling conditions the soldiers endure, and conveys the different views amongst them about what they are actually fighting for, so that as a reader we can conceivably sympathise with Peter despite the outrage we feel at the regime he was fighting to protect. Audrey Magee also convincingly portrays the turbulent change in fortunes for Katherina and her family.

Throughout the novel, much of the narrative is written as dialogue; I quickly got used to this style and thought it worked very well here; the author lets the characters’ thoughts and decisions speak for themselves, directly, rendering their emotions and experiences vividly to the reader.

The Undertaking is a stark, intelligent and powerful debut novel that confronts harsh realities and depicts two ordinary people complicit in terrible actions.  I was impressed by it and I’d love to read more by this author. There is plenty here for reading groups to debate and get their teeth into – morality, greed, war, damage, and love.

Published by Atlantic Books - 6th February 2014

Originally reviewed for Newbooks magazine

Someday we'll tell each other everything - Daniela Krien

Translated from the German by Jamie Bulloch - German title 'Irgendwann werden wir uns alles erzählen.'

‘I think about my own secret and realise that there are things which can be said straightaway, others need time, and some cannot be told at all.’

I was keen to read this book as I love stories set in Germany, in particular those set in the recent past. It’s the story of a sixteen-year-old girl, Maria, becoming awakened to adult life and experiences. It is set in summer 1990 and the period just after, in the GDR, which will soon be the former East Germany; the Berlin Wall having fallen, and reunification of the country fast approaching. Maria has moved in with her boyfriend Johannes, and the rest of the Brendel family, living quietly in the countryside. Maria has dropped out of school and escapes into books; her thoughts return several times to the book she is reading as the story unfolds – The Brothers Karamazov – and she draws parallels from this tale and events in her own life. One day she meets Henner, an older, damaged man, and the two embark on a passionate, unpredictable love affair.

It is a time of exploration and desire in Maria’s life, and the author captures this first passionate, at times violent, love, the need she feels for Henner, the impression he has made on her. ‘I can feel Henner’s hands – coarse, gentle, brutal, expectant – and I long for them…’ Maria is insightful enough to realise that this affair will impact deeply on her. ‘A life can be changed by a single moment.’ She is discovering her own identity day by day. ‘I’m not the same girl I once was. But who am I?’ She feels the strength of Henner’s desire for her, and it is a contrast to her relationship to Johannes now; though she thinks he loves her, his real passion has become his photography, and she things he ‘doesn’t see me any more, all he sees is pictures.’ She has a conscience; she acknowledges to herself that the lies she is telling and her actions in deceiving the Brendels are bad. She suspects that old Alfred knows everything and will expose her eventually. I felt a tension building in the story as the affair gathered momentum and I was compelled to find out what would happen. I was shocked that she had this affair and was still living all the while with her boyfriend and his family, yet I could believe it.

Just as events are tumultuous for Maria, so the country around her is unsettled and changing. The fascinating times and momentous changes in Germany then are not just a backdrop; Daniela Krien incorporates this nicely into her tale and into the characters’ lives, and it is all the more authentic bearing in mind that the author grew up in the East herself. Initially we learn via Maria that the fall of the Wall and the events surrounding it ‘went practically unnoticed here on the farm. They stared at the television pictures from Berlin as if they were from another country.’

As time moves on, there’s a moving reunion as a relative unseen for many years visits the Brendels from the West, and a couple of characters take a trip into the West too. Perhaps unsurprisingly, for the elder lady of the family, Frieda, the trip to the West is difficult and unsettling. For Maria and Johannes it is an adventure to head to Munich; only Maria’s second trip to the West. Her observations come thick and fast, impressing her, then leaving her feeling unsure about it all; ‘The sounds and smells of the West are different….I stare at people. It’s so different here, so self-confident, so assured, so hard to describe… I’m holding a tiny notebook. I’d planned to write down the things I saw that were new to me, things I’d sometimes longed for. And now I realise that everything is new to me, I’d have to write it all down: the smell of the shops, the cleanliness of the streets, the bright facades of the houses, women’s fashion, the excellent coffee, the beauty of of the women here…I don’t write down anything and suddenly my heart feels heavy.’ For Siegfried, Johannes’ hard working father, it is an enlightening, eye-opening experience to discover the different farming methods and structures in the West, and he returns to the East with his mind overflowing with ideas for improvement on his own farm.

The author has written an intimate first person narrative that drew me in to the story and held my interest. The style of writing, the spare prose, suits the tale, and the translation captures it all so well, and reads very smoothly indeed. I hope it will reach many more readers thanks to being available in English. I was intrigued to find out what Maria would do, and how things would develop. She can fall back on her unhappy mother only so much, and her absent father has caused much pain in her life. It seems unusual that she has moved to live away from her mother, but the way of life with the Brendels is happier and more structured and she grows fond of Johannes’ family, helping them and becoming more and more involved in the duties on the farm and in the shop, and also learning some of their secrets. Daniela Krien nicely portrays the happy domesticity and hard work on the farm, and there is a strong sense of place in the book..

Though not a long book, this was a very satisfying, thoughtful read, which made me pause and think from time to time. It didn’t need to be any longer, for me. I felt I got a sense of all the supporting characters, but all were just that; a well drawn supporting cast for a dramatic period in Maria’s life. I thought this was a super story and a remarkably promising debut novel, so much encapsulated into under two hundred pages that really captured the passion, excitement and discovery of love and desire in a girl on the cusp of womanhood, when emotions are heightened. Maria felt real; a dreamer, a helpful hard working girl, conflicted and flawed, lying and feeling guilty and torn, and all the more convincing for being so rounded. I would say this is definitely an author to watch. 

Published by MacLehose

Find out more here.

Thank you to the publisher for kindly sending me a copy of this novel to read and give an honest review.

This is another read for my 2013 Translation Challenge hosted by Curiosity Killed The Bookworm.

The Aftermath - Rhidian Brook

The year is 1946, and the setting is a country that has been destroyed, where we are taken to a city that lies in ruins, and introduced to a people, many of whom have been displaced and are hungry. This is Hamburg, Germany and this is the scene of this remarkable novel. Colonel Lewis Morgan is entrusted with the role of overseeing the rebuilding of Hamburg in the British Occupied Zone of the newly carved up post World War II Germany, and with the de-Nazification of the people. His wife Rachael and son Edmund come over from England to join him. They lost their other son in the war and Rachael is still grieving very deeply. Lewis requisitions an elegant house on the banks of the river Elbe, but unlike others who force out the owners, he allows the resident German family, consisting of widower Lubert and his unhappy daughter Freda to remain in their home, living in the top floor apartment, whilst his family lives below. This unconventional arrangement forms the intriguing backdrop of the story.

We learn of brief moments in the lives of each of them, Lewis and Rachael, and the children Edmund and Freda. For all of them, for all of Germany too, it is the aftermath of something enormous. Also we meet some children reduced to living off whatever they can find, steal and barter with, the main character amongst these being the charismatic but vulnerable Ozi. The chapters move between all of them throughout the story, allowing the author to depict many sides to the situation, and give an adult's and a child's perspective. But the narrator didn't feel intrusive; rather the characters were allowed to speak for themselves. I think there were times when I wanted to be back with the scene or characters we had just left, which tells me that I was involved with the story.

Lewis is a kind man, showing understanding towards the Germans and comprehension of the realities of the situation the people are now facing; whatever they have done, whatever has gone before, he is trying to be practical in dealing with the present. His differing stance and approach is one of the main aspects of the story that stood out for me. Others are much more severe, perhaps understandably so. The contrasts in behaviour certainly challenge our preconceptions. Lewis is a fascinating man, professional in his work and a compassionate character, who has very much separated his home and working lives, his mind mirroring Germany itself, with its new occupiers. Rachael observes that her husband's thoughts are divided into different areas:

'She could see he was preoccupied. Preoccupied with the occupied. His mind was divided into two zones, the larger, and by far more interesting, being the zone of work, with its needy subdivisions. He was fine as long as the other zone - the domestic zone inhabited by her and Edmund, the Luberts, the staff - was able to take care of itself with minimal input from him...but just for now she wanted him to engage with her realm, however small.'

Indeed it is his working life that is the sphere he feels more at ease in; comprehending how to renew his relationship with his wife and surviving son after the war seems much more of a battle than the other one he faces; after one all too brief intimate moment 'his mind had already returned to the zone where he felt safest and more effective: to the less complicated needs of a thousand faceless Germans and the rehabilitation of a country.' The fact that this mammoth task facing him seems less difficult than rebuilding his familial relationships shows just how hard this latter task feels for him. He is out of practice with regard to this side of life, and now, being back on intimate terms together 'suddenly required an ability to interpret and understand the nuances of a dialect Lewis had not spoken for over a year.'

Rhidian Brook tackles the subject of guilt and innocence, as the British assess Germans to try and determine the extent of their wartime activities and involvement with the Nazis. People were assessed using a Fragebogen - a questionnaire - 'to determine the degree of a German citizen's collaboration with the regime.' He demonstrates how easy it is to view the situation as black and white, but suggests that we need to look deeper. When he himself is questioned, Lubert realises that, despite his explanations, the man questioning him sees elements of his past as all being part of, or linked to, the Nazi regime. 'How simple this mathematics was: an equation that always ended 'equals guilty'. The numbers and fractions that got you there were unimportant.'

Music is important to Rachael, and it is a connection between her and Herr Lubert. She is determined at first to keep herself distant from him and Freda, or as much as possible given that they are, after all, still under the same roof, but it doesn't take long before 'the careful lines she had planned to lay down - had started to lay down - were already being crossed.' We wonder if this is a sign of things to come. Meanwhile Edmund forms his own bonds amongst the displaced children scavenging and hiding in nearby properties, and demonstrates his own kindness, as well as a touching innocence at times. He has missed his father and has 'a whole war's worth' of questions for him.

There are some well-observed moments even of the minutiae of life in those strange times; witness the 'three officer's wives, comparing household inventories', about which Brook wittily writes that 'it was testament to the miracle of British bureaucracy that even in these bankrupt times it could find within its broken and bust self the wherewithal to decide that a captain's wife did not need a four-place tea set, that a major's needed a full dinner service, and that only the commanding officers' wives should have a port decanter.'

There is some stunning imagery and poetry to the prose that I loved and which made this novel a joy to read for me; Rhidian Brook has a lovely way with words. This description of the weather struck me: 'pregnant grey-black snowclouds loomed, ready to dress the village in fairy-tale clothes.' 

And I loved this striking and very poignant image of a ruined church: 'The facade of a church stood on one side of the road, with only sky for stained glass and the wind for a congregation.'

Later, there is a suggestion that the house itself is judging Rachael; 'It looked to Rachael as if the house were narrowing its eyes at her. The dusk made a grimacing smile of the slats on the balcony.'

I thought this description of a fire was wonderful, too; 'A fire was a theatre in its own right and this one was loud and lively, full of intriguing plots and sub-plots.'

I really, really liked this book. It was surprising, shocking and thrilling at times, and engaging throughout. It deals with some big themes; love, passion and separation, loss, lies and a nation's guilt, and asks difficult questions that can make you feel uneasy or make you reconsider how you had viewed people; it certainly makes you think. I am always interested in fiction that deals with Germany in this period and I think this is a very readable, compelling new novel to add to that field. After hearing about this story I was excited about reading it and I wasn't disappointed. I feel like I could write and write about it, both in terms of language and storylines, so I think it would be a fabulous novel for bookgroups as there are so many fascinating issues arising that could be discussed and debated. It is also going to be made into a film I believe. One of my favourite reads so far in 2013. 

Published by Viking, an imprint of Penguin Books

review copy from the amazon vine program

German Literature Month - November 2012

German Literature Month is hosted by Caroline @ Beauty is a Sleeping Cat and Lizzy @ Lizzy's Literary Life

To find out more just follow the links above. 

This is my first time taking part, and the second time that the event has taken place. I am excited to be taking part, as German was my undergraduate degree subject, with literature making up a significant part of it. I will be reading some works in translation but trying to read at least something in German too. 

Some notes from the hosts:

While we focused on countries last year, this year we are structuring the month around genres and literary formats.

Week 1 (November 1-7) Novellas, plays and poems

Week 2 (November 8-14) Literary Novels
Week 3 (November 15-21) Genre Fiction – Crime, Fantasy, Horror, Romance

Week 4 (November 22-30) Read as you please

2012 is also the bi-centennial of the birth of the Brothers Grimm. We can’t let it pass without a Brothers Grimm Readathon. So we’ve put that in the calendar from 22-26 November.

My intended plans:

Week 1 - Stefan Zweig novella or The Wall Jumper by Peter Schneider, and The Collini Case by Ferdinand von Schirach (crime novella)

Week 2 - Stefan Zweig novel - The Post Office Girl (hopefully, time permitting)

Week 3 - Daniel Glattauer novels - Love Virtually and Every Seventh Wave (Romance)

Week 4 - Gunther Grass - Mein Jahrhundert (reading in the original German), and Berlin Tales - Lyn Marven

Looking forward to exploring all the other posts by those taking part!