Book Reviews

‘The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours.’ Alan Bennett

“Many a book is like a key to unknown chambers within the castle of one’s own self.” ― Franz Kafka

Showing posts with label psychological. Show all posts
Showing posts with label psychological. Show all posts

Friday, 20 March 2015

Disclaimer - Renee Knight


Synopsis

Finding a mysterious novel at her bedside plunges documentary filmmaker Catherine Ravenscroft into a living nightmare. Though ostensibly fiction, The Perfect Stranger recreates in vivid, unmistakable detail the terrible day she became hostage to a dark secret, a secret that only one other person knew—and that person is dead.

Now that the past is catching up with her, Catherine’s world is falling apart. Her only hope is to confront what really happened on that awful day . . . even if the shocking truth might destroy her.


Review

‘Catherine had unwittingly stumbled across herself tucked into the pages of the book.’

Disclaimer is a really compelling debut novel from Renee Knight. The narrative has a clever structure and the premise of the story is a real cracker – starting to read a novel and discovering the story is about you, hence the title ‘disclaimer’ – in the novel Catherine Ravenscroft picks up, The Perfect Stranger, there is a line crossing the usual disclaimer out, because although it appears to be fiction, in fact it very much does resemble ‘actual persons’ and events. Not only is the story all about an episode in Catherine’s past, with accurate details, but it also reveals a deep, dark and painful secret that she believed she had successfully buried long ago, kept from everyone including her husband and son, never to be uncovered. The other main character we are introduced to is widower and former teacher Stephen Brigstocke, and chapters alternate between his story in the first-person, and Catherine’s in the third. I was intrigued to see how their lives, and initially seemingly unconnected worlds, would intersect as the novel progressed.

With a page-turning, tense plot, boasting twists and revelations as secrets and lies come to light bit by bit, the past comes back to haunt Catherine and as a reader it was a book I kept wanting to get back to, wondering where the story would take me next. The author does a great job of keeping the reader guessing and wondering about the true nature of what occurred in the past, challenging our assumptions and maintaining suspense, depicting her characters in such a way as to make us unsure as to where our true sympathies should lie. 

The story is thought-provoking, questioning the wisdom of the secrets people keep, and the novel deals with loneliness, love, intimidation, obsession and revenge, violence and trust – I won’t say more because the story must be discovered without spoilers. I would have liked perhaps a bit more detail about Robert, Catherine’s husband, to flesh him out a little more clearly. Overall though I thought this was a gripping story. Sometimes psychological thrillers such as this are very strong plot-wise for part of the book but then waver or tail off; for me, in this one the storyline stayed strong until the end. 

Review copy received via amazon vine
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Friday, 13 March 2015

Stranger Child - Rachel Abbott - Guest Post

I'm very pleased to welcome author Rachel Abbott to the blog today! 

Rachel is the author of four novels, her new book is called Stranger Child, and she is here to tell us about the kind of research that goes into her writing. 

I've read and reviewed two of Rachel's novels so far, Only the Innocent and The Back Road, and enjoyed them both very much (click the titles to read my reviews).


A thrilling line of research
by Rachel Abbott


One of the aspects of writing that I have always thoroughly enjoyed is the research. My husband has said frequently that a police raid must be imminent as I scour the Internet to discover methods of killing people, and learn about money laundering, drug distribution and people trafficking. Fortunately I can prove – through my books – that it really has all been in the line of research.

I don’t know how writers managed before the Internet came along. I know there is much you can do in libraries, but when you are researching a thriller it’s hard to know where in any respectable library you might find out how to manufacture liquid nicotine, and where best to inject it to cause death.

When I sit down with an idea for a book, I usually start with a ‘what if?’ question. ‘What if a woman had no choice but to murder a man?’; ‘What if a man is so obsessed with his wife that he has to…’ (I’m not going to finish that sentence – it gives the game away in one of my books.)

From that initial question, I start to develop the plot. What has happened to these people to bring them to where they are now? As the ideas develop, I start to build character profiles and a timeline of events.

Even these first steps, which I believe are crucial to forming a picture in readers’ minds, require research. When I develop a character profile, I have an idea of what a character might look like. But that’s not enough. I want an actual picture so I don’t lose sight of them. I scour web images, looking for anybody – a star, a model or just somebody’s mum – that fits the bill. That image is pasted into the character profile, and I find other items to add to their portfolio – where they live, what clothes they wear, what they like to drink, and so on.

The timeline creates its own research list. In Stranger Child, Tom – the main detective in all my books – is reminiscing about his youth with older brother, Jack. I check the timeline to confirm when they were both born. What music would they have been listening to in their teens? I trawl through the charts for that year, and decide which brother would have liked which tracks.

All of this is valuable research, but for Stranger Child I had to go one step further – although I actually bottled it when it came to one part of the investigation. But I’ll come to that shortly.
In Stranger Child one character has to go into a safe deposit vault buried deep under the streets of Manchester in the middle of the night – with no light other than a head torch. For me, this would be a terrifying experience, but to make it as realistic as possible I needed to know how it might feel. So I phoned up a company (they wish to remain anonymous) and asked if I could have a tour.

Of course, I went during the day when the lights were on and it was full of people. But I stood in the centre of the room and tried to imagine I was there on my own, and it was pitch black. As it’s underground, there would be no ambient light, and the sounds from outside would be muffled.

There’s a viewing room where people take their boxes to add or remove items, and I imagined how it would feel to know that somebody might be hiding in there, waiting for me. I had to make others feel how I knew I would have felt, with an authenticity that couldn’t have been achieved without a site visit.

And now for the bit where I have to admit to being a wimp! Stranger Child references the Dark Web. For those who may not know much about the Dark Web it’s part of the Deep Web (an area of the internet that cannot be found through search engines). There are several reasons why websites and other content might legitimately not want to be accessed via search engines, but the Dark Web is the part of the Deep Web associated with the buying and selling of anything from guns and drugs to credit card details. Some use the terms Deep and Dark interchangeably, but my research suggests that there is a subtle difference. Neither, though, is readily accessible.

This was a vital part of my story, so I researched how to penetrate the Dark Web. It must be possible, or there would be no market for the illegal goods sold there! And I managed it. I actually know how to get into the Dark Web. But the truth is, I didn’t have the guts to try it.

Given the amount of attention being given to cyber crime by Europol and other agencies, for the first time since I started writing I was actually afraid of completing my research by visiting any of the sites. What if I stumbled across some seriously illegal activities? What if, entirely by mistake, I bought a gun, or found I had inadvertently bought a stack of bitcoin?

So unlike my quest for creating the realism of the vault, I relied on the fact that I knew a lot about the dark web without, thankfully, ever having visited it. And I assumed most of my readers would know no more than me.

Research for Stranger Child was fascinating, but with each book, I seem to have to delve deeper into dark worlds. So if you hear I’ve been arrested, it was all in the interests of authentic research.


About 'Stranger Child'


One Dark Secret. One act of revenge. 

When Emma Joseph met her husband David, he was a man shattered by grief. His first wife had been killed outright when her car veered off the road. Just as tragically, their six-year-old daughter mysteriously vanished from the scene of the accident. 

Now, six years later, Emma believes the painful years are behind them. She and David have built a new life together and have a beautiful baby son, Ollie. 
Then a stranger walks into their lives, and their world tilts on its axis. 
Emma’s life no longer feels secure. Does she know what really happened all those years ago? And why does she feel so frightened for herself and for her baby? 

When a desperate Emma reaches out to her old friend DCI Tom Douglas for help, she puts all their lives in jeopardy. Before long, a web of deceit is revealed that shocks both Emma and Tom to the core. 



They say you should never trust a stranger. Maybe they’re right. 



About Rachel


Rachel Abbott was born just outside Manchester, England. She spent most of her working life as the Managing Director of an interactive media company, developing software and websites for the education market. The sale of that business enabled her to take early retirement and fulfil one of her lifelong ambitions - to buy and restore a property in Italy. 

But even in Italy the winters can be cold and wet, and so Rachel decided to fill those dismal days by fulfilling another ambition - writing a psychological thriller! ONLY THE INNOCENT, her first novel, was more successful than she could ever have imagined, and it enabled her to change her life yet again, and become a full time writer. Her third novel, SLEEP TIGHT, was released on 24th February 2014 and was her third number one. Stranger Child, Rachel's latest book, was released on 24th February 2015.



Links

Web :         rachel-abbott.com
Blog:          rachelabbottwriter.com 
Twitter:     @Rachel__Abbott


Thursday, 13 November 2014

The Girl on the Train - Paula Hawkins



Synopsis from goodreads:


To everyone else in this carriage I must look normal; I’m doing exactly what they do: commuting to work, making appointments, ticking things off lists. 

Just goes to show.

Rachel takes the same commuter train every morning and every evening. Every day she passes the same Victorian terraces, stops at the same signal, and sees the same couple, breakfasting on their roof terrace. Jason and Jess seem so happy together. 

Then one day Rachel sees something she shouldn't have seen, and soon after, Jess disappears. Suddenly Rachel is chasing the truth and unable to trust anyone. Not even herself.

Tense, taut, twisty and surprising . . . The Girl on the Train creeps right under your skin and stays there. 


~~~~~

This is my first review on the blog in quite a long time, it feels a bit like starting over again and it's not a very detailed one - I haven't gone over the plot much, I've added the synopsis above instead -  but I did really enjoy the book so thought I would share the brief thoughts I had about it.

The Girl on the Train is Paula Hawkins' debut novel, and it's a cracker of a read. She's delivered one of those stories that you don't want to stop reading until you reach the end, because it becomes so tense and the chain of events and revelations keep you hooked; the fast-paced storytelling reins you in and just doesn't let go. This is a gripping psychological crime thriller, a genuine page-turner of a novel. 

The opening premise is a great idea, and so easy to identify with - how, whilst travelling by train, we might look out of the window and observe the lives of others playing out in those gardens backing on to the tracks, and we imagine what those other lives might be like.

Three young women narrate the story in turn, and each one of them had me questioning what was true, what was really happening, what I could believe; Rachel in particular I thought was very compelling in the way her character was drawn and fleshed out. 

A couple of quibbles with the plot aside, which I can't really mention because they would be spoilers, I found this to be an addictive, twisty read and certainly a cleverly told debut novel which I think will be massively popular with readers when published early in 2015. 


I received an advance review copy of this novel from the amazon vine program and these are my honest thoughts. On there I gave the novel 4.5 stars rounded up to 5.

Friday, 12 September 2014

The Killer Next Door - Alex Marwood - Guest Book Review



Published by Sphere

Guest book review by Janice Lazell-Wood


Synopsis

No. 23 has a secret. In this bedsit-riddled south London wreck, lorded over by a lecherous landlord, something waits to be discovered. Yet all six residents have something to hide.
In the dead of night, a terrible accident pushes the neighbours into an uneasy alliance. But one of them is a killer, expertly hiding their pastime, all the while closing in on their next victim...

Review

No.23 Beulah Grove is a rotten old house divided into bedsits, and it’s owned by the most revolting of landlords, Roy Preece, a vile and obese creature with no morals or hygiene.  He’s desperate for the sitting tenant of the house to die, so he can sell up, move away and live comfortably on the rent proceeds, but she’s not dying nearly quickly enough, so he hatches a plan to help her on her way, a plan that goes horribly wrong.  A plan that leaves the residents unable to go to the police, for fear of their own secrets being discovered, for they have many secrets amongst them…

Cher is an underage care home runaway, living a dangerous day to day existence, Thomas is lonely, boring and just wants some friends, Hossein is an Iranian asylum seeker, Collette is on the run from some very nasty men after doing a bunk with lots of their money, there’s a mysterious man who keeps himself hidden away, playing his music at all hours and interacting with no-one, and finally, there’s sitting tenant Vesta, the matriarch of the group, a woman approaching 70, who’s lived in the house all her life, with nothing to show for it but dusty ornaments and a tea set that once belonged to her parents.

One of these residents is a murderer and we are given full access to their modus operandi in all its graphic and gory detail.  If you can stomach the novels of Mo Hayder and Val McDermid, you’ll be ok reading this, if not, then be warned, it’s not for the fainthearted.  There are shades of how real life killer Dennis Nilsen disposed of his victims here, as well as great detail on how the Egyptians took care of their dead…  The fact that the novel is set during a heatwave, just cranks up the rancid atmosphere of the house!

For me, this was a page turning psychological thriller, one that was devoured in a day.  I have just one gripe, the ending.  It left a question unanswered, however, don’t let this put you off.  Read, enjoy, and treat yourself to a restorative G&T afterwards, you might just need it!


Thanks to Lindsay for the chance to read and review this novel.  I look forward to reading more by the author, Alex Marwood.


Many thanks to Janice for reading and reviewing this novel for The Little Reader Library!

Monday, 9 June 2014

The Book of You - Claire Kendal




'It is you. Of course it is you. Always it is you.'

Clarissa is being stalked by Rafe. He appears all the time, wherever she is, at her home, when she is out, in the park, everywhere, his menacing, unwanted presence is there. No matter how clearly she tells him to leave her alone, to go away, or even when she tries to just ignore him completely, to not give him the satisfaction of any response, he does not stop, he is determined she will give in to him, and that he can control her. She avoids him as much as she possibly can, but they share the same workplace, and they shared one night together, once. Then Clarissa is called for jury duty, and feels relieved because she'll be in the courtroom away from Rafe for most of the day for several weeks at least. There she gets to know some of the other jurors, including one who is kind and friendly, who she chats with and this takes her mind off events with Rafe, at least for brief periods. As she listens to the evidence in what is a violent case, things start to compare to the situation she is in. She realises what she needs to do, and she collects together the evidence of what Rafe has done. She's got her notebook, detailing all the times he has threatened, stalked, intimidated her, she keeps things he has left in her mailbox and so on, stockpiling the evidence, hoping that one day there'll be enough for it to be considered seriously by the police.

The main narrative sees Clarissa's experiences as recorded in her notebook, using the second-person. The style isn't all that common in popular fiction to my knowledge, but it is used really effectively here, like it was in Rosamund Lupton's Afterwards. It conveys with immediacy the fear she feels, the threats she endures, and the total, unwavering obsession Rafe has with her. Rafe is genuinely frightening and manipulative, utterly determined to have his way and be in control. Clarissa is an increasingly frightened victim and despite her best efforts can't seem to outmanoeuvre him. This all culminates in a dramatic finish. The other part of the narrative is in the third-person, recounting the events in the court.

It's an utterly compelling story, a brilliant, haunting read, that made my heart beat a bit faster and my pulse race. I read it on holiday and it was absolutely perfect for fast-paced, tense reading when you're in the mood to get totally lost in an absorbing story and gulp it down. The fear and anxiety felt by Clarissa is palpable, as well as her seeming very alone with this problem for the most part. 

The Book of You is a strong debut novel, a really cracking page-turner, a tense, excellent psychological suspense tale; Claire Kendal does a good job of getting you emotionally invested in what happens to Clarissa; I almost didn't dare read on at times and yet of course the story had me hooked and I didn't want to put it down until I'd finished.


Thank you to the publisher for kindly sending me a copy of this novel for an honest review.

Thank you also for sending me a beautiful notebook! 

Published by HarperCollins

Wednesday, 5 March 2014

Unravelling Oliver - Liz Nugent - Author Guest Post



I am very pleased to welcome author Liz Nugent to the blog today!

Her first novel, Unravelling Oliver, is published by Penguin Ireland on 6th March 2014



I asked Liz what drove her towards this genre and subject matter, and how her other writing - drama/theatre - does or doesn't impact her novel writing style. Her response is below.


Author guest post by Liz Nugent

Thanks so much Lindsay for taking such an interest!

I’ve always been very interested in flawed male characters in literature: John Banville’s Freddy Montgomery in the Book of Evidence, Sebastian Faulk’s Engleby, and of course Heathcliff. On television too, Tony Soprano and Walter White from Breaking Bad fascinated me but when I started writing this novel, it didn’t occur to me that I was writing a genre. I just wrote the kind of story I’d like to read and the result is something that isn’t quite crime or thriller or noir- I think the best description of it so far was that it was a story of ‘psychological suspense’ but I know that’s not exactly a genre.

*********
The first chapter was a stand-alone short story about a dark character, but I wrote him from the outside as simply a ‘bad’ man. When I went on to develop him, I realised that there must be some humanity in him, there must be reasons for his darkness, so I listened to him and he just very gradually revealed himself. I find it hard to accept that people are born bad. More often than not, it is environment and circumstances that mould the man. Oliver did not have a good start as he was socially isolated, neglected and all but abandoned. Because I lived in Oliver’s head for so long while I was writing the book, I really empathised with him by the time I was finished and found myself quite offended when readers told me what a monster he was!

The other characters who relate Oliver’s story only see the surface, but each of them sees a different side - vulnerable, charming, successful, tortured, industrious or confident. His fraudulent nature is not apparent to them- except for Eugene, who despite his learning difficulties, sees through Oliver from the start. Eugene is the prophet of the story.

********
Writing for radio and tv is entirely different because it is such a collaborative process. Even if you write the script, you can’t really call the finished product your own work. The layers of editorial input, the directors, the production values and the actors all bring something to the script- and sometimes take something away- but it really is no longer ‘your’ story.

Writing a novel is your work alone until you think you’re finished and then your publisher appoints an editor. But maybe as a result of that collaborative training, I had a great relationship with my editor Patricia Deevy. You have to trust that your editor wants your book to be the best it can be, so you are working together towards the same goal and there is only the two of you. The writer has the final say and I could have objected to a lot of her suggestions but you should at least try them and see if they work or not.

Also, working on a soap opera taught me a lot about hooking your audience/readers. I don’t want them to book the book down so I hint and tease about what might come and try to leave every chapter with a cliff-hanger. It’s a great discipline.


About the book...

'I expected more of a reaction the first time I hit her.'

Liz Nugent's gripping novel of psychological suspense, UNRAVELLING OLIVER, is a complex and elegant study of the making of a sociopath.

Oliver Ryan is a handsome and charismatic success story. He lives in the leafy suburbs with his wife, Alice, who illustrates his award-winning children's books and gives him her unstinting devotion. Their life together is one of enviable privilege and ease - enviable until, one evening after supper, Oliver attacks Alice and puts her into a coma.

In the aftermath, as everyone tries to make sense of his astonishing act of savagery, Oliver tells his story. So do those whose paths he has crossed over five decades. What unfolds is a story of shame, envy, breath-taking deception and masterful manipulation.

Only Oliver knows the lengths to which he has had to go to get the life to which he felt entitled. But even he is in for a shock when the past catches up with him.

About the author...

In her early career Liz Nugent worked as a stage manager in theatres in Ireland and toured internationally. More recently, Liz has written extensively for radio and television drama. She has been shortlisted for the prestigious Francis McManus Short Story Award. She lives with her husband in her native Dublin. UNRAVELLING OLIVER is her first novel.