The Leipzig Affair - Fiona Rintoul

Synopsis

The year is 1985. East Germany is in the grip of communism. Magda, a brilliant but disillusioned young linguist, is desperate to flee to the West. When a black market deal brings her into contact with Robert, a young Scot studying at Leipzig University, she sees a way to realise her escape plans. But as Robert falls in love with her, he stumbles into a complex world of shifting half-truths – one that will undo them both.
Many years later, long after the Berlin Wall has been torn down, Robert returns to Leipzig in search of answers. Can he track down the elusive Magda?
And will the past give up its secrets?


Review

'It's another world over there.'

I loved this novel, it had me gripped all the way through. The setting and time period is one that I find fascinating having studied German, and I do enjoy/find intriguing a lot of fiction that involves events surrounding the Berlin Wall and the former East Germany. Fiona Rintoul has created two captivating main characters in Magda and Robert. She creates tension and suspense, and really conveys the atmosphere and secrecy of the times. Magda is studying interpreting in Leipzig, East Germany, in 1985, but is disillusioned with life and politics there, and wants to leave and get to the West. Robert is a student at St Andrews, and events see him ending up in Leipzig and meeting Magda, getting to know some of her friends, and becoming involved in her complicated world.

The story is told in alternating chapters with Robert's story recounted in the first person, and Magda's told in the second person. I thought these points of view worked successfully here. I felt Robert's character was fleshed out particularly well; his personal weaknesses and the moments from his business career added depth and dimension to the story. The novel concentrates not only on those days back in 1985, but also takes us to the present, with the Berlin Wall having fallen and Robert finally revisiting Leipzig, and I was excited and nervous to travel with him there once more and discover what, and who, he would find there this time.

I felt absorbed in the tale as I read and I also felt that the author knew her stuff regarding the background and setting of her novel, and that she wrote in a balanced way about this period of Germany's history. Though Magda and many others like her felt determined, desperate to flee to the West from the GDR, and were very disillusioned by the country, the Stasi surveillance, the way some people were treated such as the tragedy that befalls Magda's brother, nevertheless many people also looked back at their former country with a certain amount of regret once it was gone. This is captured particularly well in a conversation between Magda and her father, after the regime has come to an end:

'"Personally, I think we've paid a very heavy price to have bananas in the shops and shiny new cars on every street corner. I look around me and I see young people with no jobs and no hope. I see homeless people. Did you ever see a homeless person in our Republic?..."

He's jutting his chin out again. It's odd. You agree with much of what he says. It's true that things are not so wonderful in the the new Germany. The West Germans are arrogant. They think they know it all. People like you have become strangers in their own country. Everything from the past has been swept away, whether it was good or bad, without anyone asking if that's what the people want.'

It's sad to read that 'all the dreams from 1989 of building a better kind of GDR, creating a new kind of socialism, are long forgotten.' Fiona Rintoul gives us a picture of the hope and then the reality that many felt hit them after reunification.

I thought The Leipzig Affair was a really enjoyable, gripping read, well-written throughout. I'm really glad I read it and I will definitely be watching out for more works by this author.

Review copy received via amazon vine

Inflicted - Ria Frances

Synopsis

In 1942, as Europe suffocates under the grip of Nazi terror, Anna Levinsky a young Jew, is incarcerated in the ghetto of Theresienstadt. Striving for survival in abominable conditions, during the unveiling of adulthood, Anna's improbable fate hinges on the mercy of others. In the early, wintry days of 2010, sixteen-year-old Theo Drew emerges from a family tragedy trailing a corrosive secret. When guilt threatens to overwhelm him, Theo flees to a deserted woods beside the sea, seeking oblivion. As Anna and Theo’s worlds inadvertently collide and a delicate friendship severs the barriers between age and experience, the truth and the past unravel, revealing the essence of human salvation.

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Review

Inflicted is a memorable and impressive debut novel. I found the story incredibly moving at times, and the narrative is heartfelt and touching. It depicts friendship between an older lady, Anna Levinsky, and sixteen-year-old Theo Drew, a friendship across generations that is borne out of kindness, a need for understanding and compassion. Anna is kind towards Theo, offering him advice about bullies and about the tragic situation within his family. Theo, for his part, provides a listening ear for Anna to share her past, one she has scarcely ever spoken of to others, and listening to Anna's story, Theo is taken out of himself and temporarily able to distract himself from his own burdens.

`...listening to her story jolted him out of the cycle of self-pity that had controlled his feelings for so long.'

Through Anna's story, recounting her harrowing experiences during the Second World War, concentrating particularly on the years from 1942, when, as a young Jew, she was held in the concentration camp in the ghetto in Theresienstadt, we see evidence of the great spirit and strength she demonstrated when younger in order to survive, and through Theo's story we see the guilt he carries with him and the sadness that has torn through his family. As a girl and then a young woman, Anna endures terrible hardship, witnesses horrendous acts and is forced to grow up fast.

`I am now a different Anna to the one who left Prague and entered Theresienstadt; half adult, half child with the adult half forced to emerge and stand to attention.'

As Anna enters Theresienstadt in 1942, we see directly through her eyes the terrible reality of the place;

`...a grid of murky, run-down streets with blocks of non-descript buildings rising from its grimy depths. These edifices, naked in their neglect seemed to hang their shabby heads in shame, capitulating to their decay.'

Ria Frances does not pull any punches or hold back, the honesty in the storytelling was a real strength of the book for me, whether it is the actions and behaviour of Theo's mother, or the lengths that Theo himself goes to in order to harm himself and take his pain away, or the details of what Anna endured in the ghetto, these are people going through pain and anguish of loss, or self-loathing, or horrendous treatment, and their experiences are frankly depicted.

For me the author shows a real insight into what makes people tick, what hurts them and what makes them stronger, the connections people forge, and this comes through in the thoughts and words of her characters.

I don't want to give away anything about the storyline but I would say that although I felt Anna's story was the stronger of the two, and very vivid in terms of detail, evidently well researched, powerful and believable, I nevertheless also found Theo's gradual journey of self-discovery well portrayed.

This story is powerfully told, emotional and very moving, tragic yet brimming with kindness and certainly not without hope, and written with compassion and honesty. I'm very glad to have read it. 

Review copy via amazon vine

The Separation - Dinah Jefferies

Synopsis from goodreads:

What happens when a mother and her daughters are separated, and who do they become when they believe it might be forever? 

Malaya 1955. It’s the eve of the Cartwright family’s departure from Malaya. Eleven-year-old Emma can’t understand why they’re leaving without their mother, or why her taciturn father is refusing to answer her questions.

Returning from a visit to a friend sick with polio, Emma’s mother, Lydia, arrives home to an empty house ─ there’s no sign of her husband Alec, her daughters, or even the servants. The telephone line is dead. Acting on information from Alec’s boss, Lydia embarks on a dangerous journey across civil-war-torn Malaya to find her family.

​

The Separation is a heart-wrenching page-turner, set in 1950s Malaya and post-war England.​ 

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I found this debut novel by Dinah Jefferies an emotional, atmospheric and gripping read. I was engrossed in the story from the very start. I found myself drawn deeply into the story and grew to care very much about the lives of Lydia Cartwright and her eldest daughter Emma in particular. These are the two main characters whose stories we follow throughout the novel, supported by a well drawn and diverse cast of other family, friends and accomplices in Malaya and in England.

The setting in Malaya (now Malaysia) is vividly conjured by Dinah Jefferies; the sights, the colours, the creatures, the jungle and the dangers that lurked thereabouts, the people depicted in evocative prose that provides an authentic background to Lydia's journey. It is not a place or time I knew much about and I felt transported there to the time of the Malayan Emergency and plunged back into history as I read. I read at the end that the author had spent some of her childhood in Malaya and I think her experience and sense of the place comes through vividly to the reader through her evocative writing. In addition to this there is the murky sense of wrongdoing lingering, which the characters have to uncover for themselves but much of which the reader is party to, making for a heartbreaking read at times.

I could feel the pain Emma felt at being separated from her mother, and I was so sad and angry about the things Lydia heard and was told about her daughters Emma and Fleur. Lydia was distraught and heart broken, her life had been pulled from under her, so that at the worst point;

'She felt herself slipping far away beneath the surface of life, where nothing could reach her, where there was no love, no pain, and there was no point in hoping.'

I loved how Emma found escape and solace in her creative writing;

'Sometimes I felt the world was too unfair, so when things got really bad I wrote stories. I loved the way you could make up anything you wanted.'


It was powerful stuff for me as a reader, to know what each of them was going through, and I was desperately willing things to come right, for the truth to be revealed. The structure was one I liked; chapters with Emma narrating in the first person, and then Lydia's experiences told of in the third person, and both voices held my attention, though I admit to warming most of all to Emma. My favourite passage from the book is one of Emma's thoughts; 


'...I imagined a fine line that wound halfway round the world. It was the invisible thread that stretched from west to east and back again; one end was attached to my mother's heart and the other to mine. And, I knew, whatever might happen, that thread would never be broken.'


Those words really struck me and felt so heartfelt and moving, they conveyed to me how strong the emotional attachment was between Lydia and Emma, that it could not and would not be broken despite them not being together physically. 

I don't want to slip into giving any spoilers as to how the tale unfolds; I would say that I liked in particular the characters Emma and Lydia and the very strong bond between them, and I admired Veronica on how she conducted herself. Lydia showed courage and kindness in caring for the young child Maz whose mother has abandoned him we are told. One character's deceitful behaviour was to me unbearably, terribly cruel and I could not wait for the moment when this might finally be exposed. There are various intriguing strands to the story, beginning right at the prologue, which made me wonder and which are brought together and resolved by the end of the novel in a successful way.

I found this an absorbing story that took me to a destination unfamiliar to me, opened my eyes to another place and time in our history, and it is a beautifully written story with plenty of tension and depth. A very good read throughout with a heart wrenching last hundred pages or so; I felt emotional towards the end as the last few stages of the story were played out. I had been deeply drawn into Emma's and Lydia's worlds and still think about them after closing the book. A gorgeous book cover too. Many thanks to the author for kindly sending me a copy of her novel to read and give an honest review

The Kraals of Ulundi - David Ebsworth - Author Interview

Today I am very pleased to welcome author David Ebsworth to the blog, with an interview as part of his blog tour. David's new novel is The Kraals of Ulundi: A Novel of the Zulu War.

Welcome to the blog David!

Hello Lindsay, and thanks for hosting this stop on the tour. It’s great to be here.

Please could you tell us a bit about your new book The Kraals of Ulundi: A Novel of the Zulu War?

Yes, of course. It’s set in 1879 and tells the story of the unprovoked invasion of Zululand in a South African land-grab that British history likes to call the Anglo-Zulu War. Kraals picks up the story from the perspective of three main characters – the Zulu warrior, Shaba; the English Lieutenant, Jahleel Brenton Carey; and the renegade trader, William McTeague.

How do you decide what you want to write about next - do you look to periods in history or places that particularly interest you and build a story from there?

Well, basically, I like to write stories that, really, I wish somebody else had written for me to read but which, for one reason or another, don’t yet exist. So yes, they’re usually “little known” periods that intrigue me.

What was the inspiration for this new novel?

In the middle of the Zulu War, the British forces were joined by an unusual observer, the French Prince Imperial, Louis Napoleon. He fell into an ambush and tragically died there. It was a story that I’d known for a long time but hadn’t been covered, so far as I could tell, in any work of fiction. So I decided to use this incident as the catalyst around which my three main characters are linked. In addition, I knew that the 50^th anniversary of the iconic movie, Zulu, was coming up and I realized, in addition, that there are no novels covering the six months of the conflict that took place after the incidents depicted in the film – the defence of Rorke’s Drift. So I like to say that Kraals picks up the story of the Zulu War where Michael Caine left off.

Do you plan extensively in advance when you write, in terms of plot and character, or do you have just an outline/main idea and then see where the words take you?

No, I don’t plan the plot itself very extensively at all. I normally lay out the bones of the actual historical events, then work a fair bit on outlines for my main characters, with lots of personal detail and background behaviour drivers. Then I really just let them loose and see where their personalities (rather than the words) take them.

How long do you spend writing a novel from start to finish, and does it vary depending on the subject matter?

Last week I finished the first full draft of my fourth novel (about the Battle of waterloo, but from the perspective of two French women) which I started last October. That’s pretty standard for me. 8-9 months for the working draft. Then it will stand for a month before I begin re-writing. During that month, I normally visit the locations to check them out and get the feeling or colour of the settings, and allow my “ideal reader” (my wife, Ann) to have a sneak preview and give me her always critically constructive opinion of the plot. Then I edit, rewrite and polish, until I’m happy with the finished version. The whole process, start to finish, takes me a year.

Do you find the novel-writing process addictive - is it hard to stop once you get going, and how do you find editing and revising your work?

Very addictive indeed! After I retired, I was looking for something that would challenge me and retain my work ethic, producing something useful but without all the stresses and strains. Novel-writing has given me exactly that, though I still write almost every day of the year. I think you have to write every day just to keep the plot flowing and get to the end – even if you’ve got limited daily free time to play with. The same applies to editing and revising. I always follow Stephen King’s advice and cut at least 10% of my first draft. That way, you keep your work tight.

Can you recommend some of your own favourite authors and/or novels please?

That’s a tough one. Without thinking about it too much, one of my earliest historical fiction influences (fifty years ago) was Rosemary Sutcliff, and particularly her brilliant Sword at Sunset. Then Dickens, I think, and Great Expectations. But my two all-time favourites must have been, first, Patrick O’Brian (with his Master and Commander, Jack Aubrey and Stephen Maturin series), and then Patricia Highsmith (The Talented Mister Ripley, Ripley’s Game, etc). I’m somewhat ashamed to say that I identify closely with Tom Ripley and I simply adore anti-heroes.

Would you recommend the self-published route having done this yourself?

I’d recommend self-publishing with a few health warnings, I think.  My first novel, The Jacobites’ Apprentice, was critically acclaimed by lots of lovely folk, including the Historical Novel Society, but was never going to be commercially viable enough for a traditional publisher to pick it up. So self-publishing was the obvious option. The intelligent thing would have been to simply self-publish as an eBook but, sadly, vanity kicked in and I decided to go for a print version also. There’s nothing quite like holding a ‘real’ copy of your book for the first time – but that costs money. Especially if you want it to look good. And you’re not likely to make enough sales to get your money back from the publication of one book alone. That’s true. Just look at the statistics for how many copies are sold by most first-time authors. A few hundred, if you’re lucky. So I wrote a second (The Assassin’s Mark, a Spanish Civil War thriller). More investment but better returns. Because guess what? The people who liked Assassins went off and bought Jacobites too. So then I found myself running a small business. As an authorpreneur. Spending almost as much time marketing as writing. The third book (The Kraals of Ulundi) has almost helped me to break even. And the fourth one, due to publish later this year as The Last Campaign of Marianne Tambour, will see me making a small profit. Successful friends in the business tell me that, after book number five, it’s all plain sailing. Well, we’ll see! But at least I’m in control of the whole process rather than being at the whim of an agent/publisher. Because your excellent question has another side to it. What happens if you’re phenomenally lucky to be offered a traditional deal? The vast majority of first-timers get paid pathetically small advances by publishers. Most first-timers make buttons in royalties. And most publishers will do little or nothing by way of marketing to help you get your work on bookstore shelves. So self-publishing? Yes, go for it! And if you want to test the water, be sensible and produce an eBook first. You can always go for the print version once you’ve tested the market.

But hey, thanks for the interview, Lindsay. And if any of your readers want to know more, I’m happy to pick up any questions or comments.

Author Links ~ find David on twitter @EbsworthDavid

About the novel ~

1879 – the British army has suffered one of the worst defeats in its history at the hands of the Zulu King Cetshwayo. Now the British seek revenge and a second invasion of Zululand is about to take place.

Within the Zulu regiments charged with repelling the assault is Shaba kaNdabuko − driven by ambition to share the glory of battle, to bring honour and cattle to his family.

Meanwhile, new British soldiers are shipped out to replace those lost in the military disasters, and among them is Lieutenant Jahleel Carey, likewise also hoping that adventure will bring him a change of fortune.

But there are also always those on the sidelines of conflict, profiteers like renegade trader William McTeague.

Three men, three women, will be brought together by one of the Zulu War’s strangest episodes, and their destinies will be changed forever.

The Sacred River - Wendy Wallace - Guest Book Review

Published by Simon & Schuster

Guest book review by Josie Barton

Harriet Heron is the cosseted daughter of an upper class Victorian family. Her severe asthma, in smog ridden London, necessitates her staying indoors, where her fascination for Egypt and the Egyptian Book of the Dead carries her through the worst of her illness. Tentatively, on the advice of her doctor, Harriet embarks on a journey to Egypt with her mother, Louisa and her eccentric Aunt Yael. On the boat to Alexandria they are befriended by an enigmatic artist, Eyre Soane, whose interest in Harriet and her family can only be regarded as suspicious and whose association with them continues throughout the novel.

Their arrival in Alexandria is filled with the sights, sounds and scents of a city so foreign that Harriet’s senses seem to come alive and she is enchanted by what she sees around her. Her health improves, and she is able to immerse herself in the history and culture of a country which has long fascinated her. However, for Louisa and Yael, Egypt is not just a land of contrasts, but is also a place where they must try to find some sort of inner peace. 

From the start of the novel, the author cleverly intertwines the story of three very different women and shows just what it was like to live within the closeted world of Victorian sensibility. They each have their own secrets, aspirations and hidden yearnings, and as the languid torpor of Egypt starts to influence them, their hopes, dreams and fears of the past are laid open to scrutiny in a fascinating journey of self discovery. Egypt is so beautifully described that it becomes vibrantly alive, from the contrast of valleys tinged with the gold of its ancient tombs, through to the poverty and turmoil of a land at odds with itself.  The whole character and nature of the novel revolves around the effect that this beautiful country has on Harriet, Louisa and Yael.

Overall, I thought that there was much to enjoy within the novel. The slow and languorous nature of the narrative is entirely in keeping with the unhurried atmosphere of nineteenth century Egypt, and I am sure that this book will appeal to fans of well written historical fiction.

Many thanks to Josie for reading and reviewing this novel for The Little Reader Library. Please do also visit Josie's fab book blog JaffaReadsToo!