Book Reviews

‘The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours.’ Alan Bennett

“Many a book is like a key to unknown chambers within the castle of one’s own self.” ― Franz Kafka

Showing posts with label radio. Show all posts
Showing posts with label radio. Show all posts

Monday, 19 May 2014

Janey Fraser - Author Guest Post

Today I'm pleased to feature a guest post by author JANEY FRASER, whose latest novel is called AFTER THE HONEYMOON. Plus, see the end of Janey's post for the chance to win some goodies!


Vanessa Calls! by Janey Fraser


The email popped up unexpectedly in my Inbox. It was from my PR at Random House. Would I do an interview for Vanessa Feltz on her radio show. Would I? Just try to stop me!
As a journalist (before becoming a novelist), I’d interviewed Vanessa on a couple of occasions for various women’s magazines. I’d always found her to be warm, bubbly and generous. At the time, I was freelancing from home with three small children and she was very understanding when I had to pause the telephone interview for a few minutes while I sorted out yet another squabble.

However, there was only one catch with this radio interview. It was on a Bank Holiday Monday.  I moved to Devon some years ago so it’s not always easy to get into London on high days and holidays. I also had to be there for 9.30am. I’m not a motorway driver (for some reason, it brings me out in a cold sweat to approach the Entry lane) so I took the sleeper. So exciting! In fact, it would make a story all of its own but I want to tell you about Vanessa.

The BBC is a sprawling mass of buildings nowadays. I was heading for the bit behind Top Shop (an important landmark for my daughter) but even my taxi driver wasn’t sure of the exact spot. Eventually, I made my way to the right building where – wow! – there was actually a uniformed BBC man at the door.

‘Are you a guest?’ he asked.

To be honest, I almost felt like an intruder. At this time of the morning, I am normally running my dog along the beach and thinking of the next plot.  Still, my name was on the list so they must have been expecting me.

Not surprisingly, there’s a lot of security at the Beeb. I wasn’t exactly frisked but you have to sign things and get a badge. After that, because I was so early (thanks to the sleeper), I had to wait a bit on the ‘state of the art’ sofa in the lobby in front of a giant TV. It was so comfortable that I almost forgot why I was there!

Suddenly, Vanessa’s lovely assistant breezed in and whisked me off for a coffee. Honestly, I could get used to this. Yet at the back of my mind was the thought that in a few minutes, I was going to be chatting on air. From previous experience, I know that the strange thing about live radio is that you are lulled into a false sense of security. It feels as though you are talking to a mate because the presenter is normally friendly (unless you’re on some horrible political programme which I would never be on because I’m  hopeless at that sort of thing). So it’s very easy to say something you don’t mean or stumble over words – and then you can’t take it back.

Vanessa wanted to talk to me about honeymoons because that’s what my new novel is about. So I’d made a few notes. But when I found myself being ushered into a smallish room with THE Vanessa on the other side of the desk, all my ideas went out of my head. Vanessa in the flesh is just like the kind of woman you’d want to have a chat with. She looked very glamorous with that lovely hair of hers but don’t be fooled. She was also very professional.
We kicked off with the fact that – according to a recent survey by the travel firm Kuoni – 12 per cent of brides would like to ring their mums when on honeymoon. ‘Don’t most girls want to do that?’ asked Vanessa who has two grown up daughters.

I agreed. When I got married the first time, I queued up for hours in Greece to ring my mum/ ‘No mobile phones then,’ said Vanessa chattily.

Too true. Then we had a good old natter about some of the brides I’d interviewed – including a couple whose damp confetti fell out of their clothes on their wedding  night. It stained the marble floor and they spent hours trying to get the marks out of the floor so they didn’t get billed. It rather put paid to any newly-wed intimacy if you get what I mean...

In between chats, Vanessa played tracks but to be honest, I couldn’t have told you what they were. We were too busy having little chats ourselves. ‘Look at this,’ said Vanessa, proudly holding up a shopping bag which had a picture of her first grandchild on it.   It was really heartening to see a normal proud granny behind a public face.

Another interesting bit were the number of emails which came in from listeners who wanted to describe their own honeymoon experiences.. They were handed to Vanessa swiftly over the desk by another assistant and she read them out on air. It just goes to show that it IS worth getting in touch!

I was on for nearly half an hour but it felt much shorter. In fact, I was sad to go. ‘Would you like to come to my launch party?’ I asked Vanessa boldly as I left.

‘Send me the invitation,’ she replied chummily.

I don’t know if she’ll turn up – but I’ll let you know......

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Please send me (Janey) your honeymoon stories – and you could win a bag of books or a Champneys goodies parcel. Email them to me at janeyfraser@gmail.com

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About the novel...

AFTER THE HONEYMOON by Janey Fraser. 

One honeymoon destination. Three couples. Six secrets.

Emma never wanted to marry Tom, let alone go away without the children. But then the girls at work give her a honeymoon voucher. Enter Yannis, the local lothario...

Winston is the nation’s Keep Fit bachelor darling. Newspapers are agog when he marries Melissa, newly-divorced mother of two. But when her teenagers disrupt their honeymoon, his past is revealed....

Rosie was homeless and pregnant when she arrived at the Villa Rosa, sixteen years ago, but now she’s the owner. Winston might not remember her, but she’s never forgotten him…

By the end of the week, none of their lives are the same.  But what happens after the honeymoon?


Published by Arrow (Random House) on May 22.

Amazon UK link

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About the author... (in her own words)

Janey Fraser is the pen name for journalist Jane Bidder who also writes as Sophie King. You might have read some of my previous novels such as THE SCHOOL RUN and THE WEDDING PARTY which was short listed for Love Story of the Year 2010.

For many years, I was a journalist on women’s magazines and until recently, edited the family page of Woman. Now I write ‘ MUM LIT’ novels about the ups and downs of family life.

I have plenty of experience with my own three – remind me to tell you, one day, about the time that my youngest gave his friend a pudding-basin haircut while my back was turned for three minutes or when my eldest bashed me on the head with an empty lemonade bottle while driving because of an over-heated car game.

Wednesday, 5 March 2014

Unravelling Oliver - Liz Nugent - Author Guest Post



I am very pleased to welcome author Liz Nugent to the blog today!

Her first novel, Unravelling Oliver, is published by Penguin Ireland on 6th March 2014



I asked Liz what drove her towards this genre and subject matter, and how her other writing - drama/theatre - does or doesn't impact her novel writing style. Her response is below.


Author guest post by Liz Nugent

Thanks so much Lindsay for taking such an interest!

I’ve always been very interested in flawed male characters in literature: John Banville’s Freddy Montgomery in the Book of Evidence, Sebastian Faulk’s Engleby, and of course Heathcliff. On television too, Tony Soprano and Walter White from Breaking Bad fascinated me but when I started writing this novel, it didn’t occur to me that I was writing a genre. I just wrote the kind of story I’d like to read and the result is something that isn’t quite crime or thriller or noir- I think the best description of it so far was that it was a story of ‘psychological suspense’ but I know that’s not exactly a genre.

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The first chapter was a stand-alone short story about a dark character, but I wrote him from the outside as simply a ‘bad’ man. When I went on to develop him, I realised that there must be some humanity in him, there must be reasons for his darkness, so I listened to him and he just very gradually revealed himself. I find it hard to accept that people are born bad. More often than not, it is environment and circumstances that mould the man. Oliver did not have a good start as he was socially isolated, neglected and all but abandoned. Because I lived in Oliver’s head for so long while I was writing the book, I really empathised with him by the time I was finished and found myself quite offended when readers told me what a monster he was!

The other characters who relate Oliver’s story only see the surface, but each of them sees a different side - vulnerable, charming, successful, tortured, industrious or confident. His fraudulent nature is not apparent to them- except for Eugene, who despite his learning difficulties, sees through Oliver from the start. Eugene is the prophet of the story.

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Writing for radio and tv is entirely different because it is such a collaborative process. Even if you write the script, you can’t really call the finished product your own work. The layers of editorial input, the directors, the production values and the actors all bring something to the script- and sometimes take something away- but it really is no longer ‘your’ story.

Writing a novel is your work alone until you think you’re finished and then your publisher appoints an editor. But maybe as a result of that collaborative training, I had a great relationship with my editor Patricia Deevy. You have to trust that your editor wants your book to be the best it can be, so you are working together towards the same goal and there is only the two of you. The writer has the final say and I could have objected to a lot of her suggestions but you should at least try them and see if they work or not.

Also, working on a soap opera taught me a lot about hooking your audience/readers. I don’t want them to book the book down so I hint and tease about what might come and try to leave every chapter with a cliff-hanger. It’s a great discipline.


About the book...

'I expected more of a reaction the first time I hit her.'

Liz Nugent's gripping novel of psychological suspense, UNRAVELLING OLIVER, is a complex and elegant study of the making of a sociopath.

Oliver Ryan is a handsome and charismatic success story. He lives in the leafy suburbs with his wife, Alice, who illustrates his award-winning children's books and gives him her unstinting devotion. Their life together is one of enviable privilege and ease - enviable until, one evening after supper, Oliver attacks Alice and puts her into a coma.

In the aftermath, as everyone tries to make sense of his astonishing act of savagery, Oliver tells his story. So do those whose paths he has crossed over five decades. What unfolds is a story of shame, envy, breath-taking deception and masterful manipulation.

Only Oliver knows the lengths to which he has had to go to get the life to which he felt entitled. But even he is in for a shock when the past catches up with him.

About the author...

In her early career Liz Nugent worked as a stage manager in theatres in Ireland and toured internationally. More recently, Liz has written extensively for radio and television drama. She has been shortlisted for the prestigious Francis McManus Short Story Award. She lives with her husband in her native Dublin. UNRAVELLING OLIVER is her first novel.