Welcome to the blog David!
Hello
Lindsay, and thanks for hosting this stop on the tour. It’s great to be here.
Please could you tell us a bit about
your new book The Kraals of Ulundi: A Novel of the Zulu War?
Yes,
of course. It’s set in 1879 and tells the story of the unprovoked invasion of
Zululand in a South African land-grab that British history likes to call the
Anglo-Zulu War. Kraals picks up the
story from the perspective of three main characters – the Zulu warrior, Shaba;
the English Lieutenant, Jahleel Brenton Carey; and the renegade trader, William
McTeague.
How do you decide what you want to
write about next - do you look to periods in history or places that
particularly interest you and build a story from there?
Well,
basically, I like to write stories that, really, I wish somebody else had
written for me to read but which, for one reason or another, don’t yet exist.
So yes, they’re usually “little known” periods that intrigue me.
What was the inspiration for this
new novel?
In
the middle of the Zulu War, the British forces were joined by an unusual
observer, the French Prince Imperial, Louis Napoleon. He fell into an ambush
and tragically died there. It was a story that I’d known for a long time but
hadn’t been covered, so far as I could tell, in any work of fiction. So I
decided to use this incident as the catalyst around which my three main
characters are linked. In addition, I knew that the 50th anniversary
of the iconic movie, Zulu, was coming
up and I realized, in addition, that there are no novels covering the six
months of the conflict that took place after the incidents depicted in the film
– the defence of Rorke’s Drift. So I like to say that Kraals picks up the story of the Zulu War where Michael Caine left
off.
Do you plan extensively in advance
when you write, in terms of plot and character, or do you have just an
outline/main idea and then see where the words take you?
No,
I don’t plan the plot itself very extensively at all. I normally lay out the bones
of the actual historical events, then work a fair bit on outlines for my main
characters, with lots of personal detail and background behaviour drivers. Then
I really just let them loose and see where their personalities (rather than the
words) take them.
How long do you spend writing a
novel from start to finish, and does it vary depending on the subject matter?
Last
week I finished the first full draft of my fourth novel (about the Battle of
waterloo, but from the perspective of two French women) which I started last
October. That’s pretty standard for me. 8-9 months for the working draft. Then
it will stand for a month before I begin re-writing. During that month, I
normally visit the locations to check them out and get the feeling or colour of
the settings, and allow my “ideal reader” (my wife, Ann) to have a sneak
preview and give me her always critically constructive opinion of the plot.
Then I edit, rewrite and polish, until I’m happy with the finished version. The
whole process, start to finish, takes me a year.
Do you find the novel-writing
process addictive - is it hard to stop once you get going, and how do you find
editing and revising your work?
Very
addictive indeed! After I retired, I was looking for something that would
challenge me and retain my work ethic, producing something useful but without
all the stresses and strains. Novel-writing has given me exactly that, though I
still write almost every day of the year. I think you have to write every day
just to keep the plot flowing and get to the end – even if you’ve got limited
daily free time to play with. The same applies to editing and revising. I
always follow Stephen King’s advice and cut at least 10% of my first draft.
That way, you keep your work tight.
Can you recommend some of your own
favourite authors and/or novels please?
That’s
a tough one. Without thinking about it too much, one of my earliest historical
fiction influences (fifty years ago) was Rosemary Sutcliff, and particularly
her brilliant Sword at Sunset. Then
Dickens, I think, and Great Expectations.
But my two all-time favourites must have been, first, Patrick O’Brian (with his
Master and Commander, Jack Aubrey and
Stephen Maturin series), and then Patricia Highsmith (The Talented Mister Ripley, Ripley’s
Game, etc). I’m somewhat ashamed to say that I identify closely with Tom
Ripley and I simply adore anti-heroes.
Would you recommend the
self-published route having done this yourself?
I’d
recommend self-publishing with a few health warnings, I think. My first novel, The Jacobites’ Apprentice, was critically acclaimed by lots of
lovely folk, including the Historical Novel Society, but was never going to be
commercially viable enough for a traditional publisher to pick it up. So
self-publishing was the obvious option. The intelligent thing would have been
to simply self-publish as an eBook but, sadly, vanity kicked in and I decided to
go for a print version also. There’s nothing quite like holding a ‘real’ copy
of your book for the first time – but that costs money. Especially if you want
it to look good. And you’re not likely to make enough sales to get your money
back from the publication of one book alone. That’s true. Just look at the
statistics for how many copies are sold by most first-time authors. A few
hundred, if you’re lucky. So I wrote a second (The Assassin’s Mark, a Spanish Civil War thriller). More investment
but better returns. Because guess what? The people who liked Assassins went off and bought Jacobites too. So then I found myself
running a small business. As an authorpreneur. Spending almost as much time
marketing as writing. The third book (The
Kraals of Ulundi) has almost helped me to break even. And the fourth one,
due to publish later this year as The
Last Campaign of Marianne Tambour, will see me making a small profit.
Successful friends in the business tell me that, after book number five, it’s
all plain sailing. Well, we’ll see! But at least I’m in control of the whole
process rather than being at the whim of an agent/publisher. Because your
excellent question has another side to it. What happens if you’re phenomenally
lucky to be offered a traditional deal? The vast majority of first-timers get
paid pathetically small advances by publishers. Most first-timers make buttons
in royalties. And most publishers will do little or nothing by way of marketing
to help you get your work on bookstore shelves. So self-publishing? Yes, go for
it! And if you want to test the water, be sensible and produce an eBook first.
You can always go for the print version once you’ve tested the market.
But
hey, thanks for the interview, Lindsay. And if any of your readers want to know
more, I’m happy to pick up any questions or comments.
Author Links ~ find David on twitter @EbsworthDavid
About the novel ~
Author Links ~ find David on twitter @EbsworthDavid
About the novel ~
1879 – the British army has suffered one of the worst defeats in its history at the hands of the Zulu King Cetshwayo. Now the British seek revenge and a second invasion of Zululand is about to take place.
Within the Zulu regiments charged with repelling the assault is Shaba kaNdabuko − driven by ambition to share the glory of battle, to bring honour and cattle to his family.
Meanwhile, new British soldiers are shipped out to replace those lost in the military disasters, and among them is Lieutenant Jahleel Carey, likewise also hoping that adventure will bring him a change of fortune.
But there are also always those on the sidelines of conflict, profiteers like renegade trader William McTeague.
Three men, three women, will be brought together by one of the Zulu War’s strangest episodes, and their destinies will be changed forever.
