Set in London in 1926, this novel features Evelyn Gifford, who we first met in an earlier novel by Katharine McMahon, The Crimson Rooms. Now one of the first female qualified solicitors, Evelyn’s brother was killed in WWI and she is living with her young nephew and his mother Meredith. Two cases dominate the storyline; one regarding disputed paternity and another regarding union strikes. In her personal life, too, Evelyn faces challenges, decisions and conflicts, with the chance of happiness with a man who admires and loves her, and yet the lure of a past lover returned.
The Woman in the
Picture is another beautifully written historical novel by Katharine McMahon,
with super characterisation; it’s wonderful to revisit Evelyn and discover her
current endeavours – though this novel can certainly be read without having
read The Crimson Rooms. The narrative offers a compelling portrait of a time
when a female lawyer was unusual and the preconceptions and judgements Evelyn therefore
faces from others in the profession and from the general population.
The story moves along
at a good pace, both the legal matters and the romantic aspects are intriguing and
held my interest. The author has a skillful and elegant way with language and incorporates
convincing authentic period detail. I think anyone who enjoys well-written
historical fiction with an engaging, intelligent plot and an element of romance,
and in particular if you like to read about a strong, independent female central
character, will find a lot to love in this novel.

